Annie Clark is not where she&rsquo;s supposed to be. At the last minute, the artist known as St. Vincent decided that instead of trekking to a country store as planned, she wanted to stick closer to her studio in the hills of Los Angeles&rsquo;s Laurel Canyon. When I arrive at our new meeting spot, breathless from a steep climb, the first thing I notice is that neither of us is dressed appropriately for a rendezvous in the domesticated wilderness. Of course, in Clark&rsquo;s case, this means looking pretty damn cool, in a sky-blue duster, gray sweatshirt, and leopard-print shorts, her trademark curly dark hair (which took a silvery lavender turn last album cycle) pin-straight and tucked under a Duran Duran cap. We make our way to a picnic table in the middle of a hiking trail that apparently enjoys more use as a bird lavatory. &ldquo;Is this OK?&rdquo; she asks, straddling the bench and setting down her mug of Yogi tea. It is. Anything to stop moving vertically.&nbsp;&ldquo;Up,&rdquo; however, is a fitting direction for the 34-year-old Clark. Over the past decade, she has evolved from a clever multi-instrumentalist to critical darling to indie icon&mdash;her last record, 2014&rsquo;s St. Vincent, took home the Grammy for Best Alternative Album. She&rsquo;s a road warrior (with the bed bug stories to prove it), having toured for much of her life, beginning as a teenager when she was the tour manager for her uncle&rsquo;s jazz duo, Tuck &amp; Patti. And her latest album, Masseduction, is most definitely a career summit. It&rsquo;s her Lemonade, her&nbsp;OK Computer&mdash;whatever reference conveys the urgency with which it demands to be listened to when it drops on October 13. &ldquo;This one&rsquo;s better,&rdquo; she says of her fifth solo effort, nodding. &ldquo;I was focused on writing the best songs I&rsquo;d ever written.&rdquo; That goal comes at a cost, or so Clark&rsquo;s body language seems to say on this late-August evening. She stifles a yawn, and cradles her tea. For the last couple of months, she&rsquo;s been celibate and sober. Some of the monasticism she favors during recording stuck: An illness last March prompted her to quit alcohol altogether. &ldquo;I loved my white wine,&rdquo; she says. &ldquo;But I just can&rsquo;t stand the smell anymore.&rdquo;&nbsp;She is also insanely busy, still recuperating from yesterday&rsquo;s flight home from Australia for press, not to mention the whirlwind trip to Tokyo that preceded it, where she performed at Summer Sonic (and shot this cover). And while it&rsquo;s been three and a half years since she released an album, Clark&rsquo;s been working on it all the while. &ldquo;I&rsquo;ve just been collecting things, bowerbird-style, and making elaborate plumage,&rdquo; she says. Meanwhile, she&rsquo;s been flexing her creative muscles: A week ago, Lionsgate announced that the Dallas native would be helming its female-led adaptation of The Picture of Dorian Gray. (Clark made her directorial debut earlier this year with a short called &ldquo;The Birthday Party&rdquo; for the female-driven horror anthology XX.)<img src="http://magarticles.magzter.com/articles/4662/241912/59bbbbdd570b0/1505475259851.jpg"" owidth=1660 oheight=1893" style="height:700px; width:614px" />&nbsp;She&rsquo;s also spent a good part of the last year getting over her breakup from 25-year-old British supermodel and actress Cara Delevingne. The pair dated for 18 months, thrusting Clark into a tabloid existence she&rsquo;d never known before. You won&rsquo;t find her in any formal pictures from (the old) Taylor Swift&rsquo;s last Fourth of July bonanza in 2016, but she and her soon-to-be ex were captured by paparazzi in a private embrace. &ldquo;It was really bizarre,&rdquo; she says. &ldquo;No joke, I&rsquo;ve been in high-speed chases in London with at least five cars and six motorcycles following me and Cara. You&rsquo;re going to kill someone, and for what? A photo of a sweet girl?&rdquo;&nbsp;The last thing she wants to talk about is how much of this album was informed by that relationship. She&rsquo;s baffled by such inquiries&mdash;she only just recently admitted that 2011&rsquo;s Strange Mercy was partly about her father being sent to prison for investment fraud. &ldquo;I never think, &lsquo;If I only knew who Kate Bush was singing about in &ldquo;Running Up That Hill,&rdquo; I could enjoy the song,&rsquo;&rdquo; she says, shooing a mosquito off my shirt. &ldquo;I do not wonder who or what songs are about. And the Texan in me is like, &lsquo;It&rsquo;s none of your goddamned business.&rsquo;&rdquo; I ask whether she cleared&nbsp;the disclosure of her dad&rsquo;s incarceration with him beforehand. &ldquo;Is it OK with me that he&rsquo;s in prison?&rdquo; she responds dryly, but quickly adds, &ldquo;I&rsquo;ve only ever spoken highly of my father.&rdquo;<img src="http://magarticles.magzter.com/articles/4662/241912/59bbbbdd570b0/1505475288314.jpg"" owidth=1371 oheight=1655" style="height:700px; width:580px" />Clark is a vivid storyteller whose knack for relating tales of dirty policemen or down-on-their-luck friends would make her the most popular guest at a dinner party. On Masseduction&rsquo;s first single, &ldquo;New York,&rdquo; which debuted last June, she sings along to a plangent piano about &ldquo;the only motherfucker in the city who can handle me.&rdquo; While the song&rsquo;s grief over lost heroes could easily apply to David Bowie or Prince, as Clark has suggested, it&rsquo;s the identity of the &ldquo;motherfucker&rdquo; that piqued curiosity. &ldquo;I totally understand it, I do,&rdquo; she says, and frowns thoughtfully. &ldquo;But the point is for the song to mean whatever it means to somebody else. Some people have a real hang-up about being misunderstood. I don&rsquo;t care.&rdquo; She stops to clarify this point: &ldquo;I would be concerned if someone was like, &lsquo;Wow, she seems like a Holocaust denier.&rsquo; But racism, sexism, or homophobia aside? I&rsquo;m happy to be misunderstood.&rdquo;In the past, Clark&rsquo;s music was more often respected than adored, like Love This Giant, her 2012 album with Talking Heads savant David Byrne. She is a masterful guitarist, a performance artist unafraid of experimentation. Artificial sounds, brass sections, unhurried choruses? All play a part in her eclectic repertoire, and she rarely stays monogamous to any one genre or rhythm.&ldquo;A lot of people are skilled at bending notes, but I think she actually bends the parameters of what guitar is,&rdquo; says longtime friend Carrie Brownstein, whose prowess on the same instrument helped usher Sleater-Kinney to stardom. &ldquo;She doesn&rsquo;t approach it in a traditionally worshipful way. While she&rsquo;s playing guitar, she seems to be destroying the very concept of it, which I think is very exciting.&rdquo;<img src="http://magarticles.magzter.com/articles/4662/241912/59bbbbdd570b0/1505475533705.jpg"" owidth=1373 oheight=1653" style="height:700px; width:581px" />The opening track of her last album famously depicted Clark running naked from a rattlesnake. Masseduction (pronounced &ldquo;mass seduction&rdquo; on the title track) somehow finds her even more exposed. Clark says &ldquo;New York&rdquo; was the first time she ever wrote something and thought, &ldquo;This could be somebody&rsquo;s favorite song.&rdquo; The same could be said of many tracks on the album, which, taken as a whole, sounds like Clark violating her own sense of privacy in order to grant access to her vulnerability. &ldquo;I&rsquo;m not eschewing any of the work I&rsquo;ve done in the past,&rdquo; says Clark. &ldquo;But I was less concerned [here] about doing a lot of musical tricks that to me are intellectually interesting. The point of the record was to go, like, mainline to the heart.&rdquo;For this, Clark enlisted co-producer Jack Antonoff. Through his work with Lorde and Taylor Swift, as well as his own band Bleachers, Antonoff has developed a reputation for channeling ideas and emotions into their most approximate, frequently synth-driven expressions. &ldquo;Jack changed my life for the better,&rdquo; says Clark. &ldquo;He makes you feel like anything is possible. We were merciless, trying to push all these songs past the finish line to accept the gold medal.&rdquo;None of which is to suggest that Clark has sacrificed any virtuosity or ambition. Several of the best songs break off into their own compelling codas. &ldquo;How could anybody have you and lose you and not lose their mind, too?&rdquo; moans Clark on &ldquo;Los Ageless,&rdquo; backed by an aggressive beat that would not be out of place at an adults-only club, before dissolving, like a film melt, into a series of bleary synths and barely audible whispers.The theme of Clark&rsquo;s last record was &ldquo;near future cult leader.&rdquo; Here, having traded in those wild lavender-platinum curls for an austere black bob, &ldquo;It&rsquo;s dominatrix at the mental institution,&rdquo; she says. &ldquo;I knew I needed to write about power&mdash;the fiction of power and the power of fiction.&rdquo; The concept is at its most powerful on the more adrenalized songs, like &ldquo;Pills,&rdquo; whose opening lines function like a Valley of the Dolls reboot: &ldquo;Pills to wake/ Pills to sleep/ Pills, pills, pills every day of the week.&rdquo; The words are delivered by Delevingne in a demented, cheerfully vacant chant.&ldquo;You mean Kid Monkey, obscure DJ,&rdquo; says Clark, gamely referencing her ex&rsquo;s pseudonym. &ldquo;It needed to be a posh British voice. I was like, &lsquo;Cara, wake up. I need you to sing on this song.&rsquo; And she&rsquo;s kind of grumpy. And I&rsquo;m like, &lsquo;Please. It sounds so good. One more time.&rsquo;&rdquo; That song, too, starts with a blinking alertness but finishes drowsily, like Pink Floyd at the planetarium. Clark says the inspiration came to her after popping a sleeping pill on tour, and speaks to larger issues of opioid addiction that have affected people she cares about.But the song that&rsquo;s most likely to be picked over lyrically, for obvious reasons, is &ldquo;Young Lover.&rdquo; It&rsquo;s set in Paris, where gossip rags once reported that Delevingne, proposed to Clark. The relationship described in the song suffers as a result of the titular subject&rsquo;s hard-partying ways. &ldquo;Did I have experiences that emotionally resonated in the way they do for that character? Absofucking-lutely,&rdquo; says Clark, who&rsquo;s also been linked briefly to Kristen Stewart. &ldquo;But did that exact scenario happen? No!&rdquo; She makes a dismissive face.Clark didn&rsquo;t grow up feasting on the sordid details of celebrity coupledom, though she admits to a fascination with Kate Moss, Shalom Harlow, and the early-&rsquo;90s supermodel set. (The musician has recently done some modeling herself as one of the new faces of Tiffany &amp; Co.) Her parents divorced young, and Clark lived with her social worker mother and two older sisters. &ldquo;I was free to be a wild card, because the other roles were spoken for,&rdquo; she says. A breeze kicks up and she rubs her legs as they prickle with goosebumps.A tiny part of her early musical education includes a crate of CDs that fell off a truck in front of their house. &ldquo;It was good taste for someone in the suburbs of Dallas,&rdquo; she says, citing Nine Inch Nails and Pet Shop Boys. Clark started playing guitar at 12, and was encouraged by her maternal uncle, who hired her as a tour manager for his jazz duo when she was a teenager.Eventually, her family swelled to include eight siblings, with whom she is close. A younger brother now works as her assistant. &ldquo;We grew up hearing my dad talk business on the phone, and it was &lsquo;motherfucker&rsquo; this and &lsquo;fucking cocksucker&rsquo; that,&rdquo; she says, laughing. In part, this informed her curse word of choice on &ldquo;New York.&rdquo; &ldquo;If people don&rsquo;t curse at all, I always think they&rsquo;re hiding something,&rdquo; she says.The next day, Clark is filming a video for Masseduction&rsquo;s as-yet-unannounced second single at a soundstage in Hollywood. She spends more time on the West Coast now that she has built a studio here, but still keeps properties in New York and Texas. She hesitates to use the word bicoastal, which feels &ldquo;kind of douchey,&rdquo; she says.The video set changes from a Pepto-Bismol pink beauty salon, where the pedicure tubs are filled with green slime, to a yoga studio. Clark is dressed in a cheetah-print leotard with an open-face hood. She&rsquo;s been bending over for 15 minutes straight in order for director Willo Perron to get a dolly shot of her face hanging between her legs. I marvel at her stamina. &ldquo;Are you really asking me how I&rsquo;m good at bending over?&rdquo; she says, wryly. She rests between takes, curling up on the yoga mat like a cat in a sunbeam.Clark wasn&rsquo;t involved with the concept for the video. Back in Laurel Canyon, she admitted to being preoccupied with Dorian Gray, working with Elle screenwriter David Birke and rereading the book for the first time since high school. &ldquo;I jumped at the chance to explore themes of transgression, narcissism, youth, beauty, queerness, but through a female protagonist,&rdquo; says Clark, who&rsquo;s currently considering a cast for the project. She&rsquo;s new to this milieu, but credits Tuck &amp; Patti with teaching her the rigors of knowing her shit. &ldquo;They really were the coach in Rocky,&rdquo; she says of her uncle&rsquo;s duo. &ldquo;I learned how to be professional. It&rsquo;s not as if I need to be a camera expert in order to direct something, but you have to have the respect of the crew. This is not a vanity project. This is something I want to do for the rest of my life.&rdquo;Melanie Lynskey, who starred in Clark&rsquo;s XX short, was pleasantly surprised by the musician&rsquo;s command of the set. &ldquo;It was like working with someone who had been doing it a very long time,&rdquo; she says. &ldquo;She&rsquo;s so smart and she had such a clear idea of what she wanted, but gave me all the room in the world to come up with ideas and collaborate.&rdquo; In the meantime, Clark is also preparing for this fall&rsquo;s Fear the Future Tour. As we slowly make our way down the hill, clutching at branches to steady ourselves, she says there won&rsquo;t be as much postmodern dancing this time around. &ldquo;The record is full of sorrow, but the visual aspect of it is really absurd,&rdquo; she says. &ldquo;I take the piss out of myself. The last tour I sat atop a pink throne, looking very imperious.&rdquo; She kindly helps me down the last step. &ldquo;This one will let people see that I have a sense of humor.&rdquo;

Critical Mass

English

Spanish(español)

Bengali(বাঙালি)

Gujarati(ગુજરાતી)

Hindi(हिन्दी)

Malayalam(മലയാളം)

Tamil(தமிழ்)

Telugu(తెలుగు)

NYLON

From Bedroom Blogger To Media Mogul

Sound Check With DJ Mia Moretti 

Keke Palmer Is Hitting All Of The Right Notes

Fandom Is Forever, But Today It's A Whole New Game

With A Hit Show & Killer Voice, Serayah Is Building An Empire

Nicki Minaj - Hustle & Glow

Elijah Wood Has His Eyes On The Prize

Sophie Turner Has the X Factor

Girl On the Rise - Bille Lourd

Boarding House

1. You agree that the use of Magzter.com, the application and its services, are at solely at your own risk. Neither Magzter.com nor its associates nor employees nor third party content providers guarantee that the service will be completely uninterrupted or error-free or foolproof against miscreant activities. Nor do they warranty that you will get the exact results as expected or promised by the website or product.

11. THE SERVICE AND ALL PUBLICATIONS ARE PROVIDED ON AN 'AS IS' AND 'AS AVAILABLE' BASIS. MAGZTER, ITS AFFILIATES, SUPPLIERS, LICENSORS AND AGENTS EXPRESSLY DISCLAIM ALL WARRANTIES OF ANY KIND, WHETHER EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO THE IMPLIED WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NON-INFRINGEMENT. WITHOUT LIMITING THE FOREGOING, NEITHER MAGZTER NOR ITS AFFILIATES, SUPPLIERS, LICENSORS OR AGENTS, MAKES ANY WARRANTY THAT (I) THE SERVICE WILL MEET YOUR REQUIREMENTS, (II) THE SERVICE WILL BE UNINTERRUPTED, TIMELY, SECURE, OR ERROR-FREE, (III) THE INFORMATION THAT MAY BE OBTAINED FROM THE USE OF THE SERVICE OR THAT MAY BE CONTAINED IN THE PUBLICATIONS WILL BE ACCURATE OR RELIABLE, OR (IV) THE QUALITY OF ANY PUBLICATIONS OR THE SERVICE WILL MEET YOUR EXPECTATIONS. YOU ARE SOLELY RESPONSIBLE FOR OBTAINING AND MAINTAINING RELIABLE INTERNET CONNECTIVITY AND YOUR DEVICE. MAGZTER IS NOT RESPONSIBLE FOR YOUR INABILITY TO DOWNLOAD CONTENT. ANY MATERIAL DOWNLOADED OR OTHERWISE OBTAINED THROUGH THE USE OF THE SERVICE IS DONE AT YOUR OWN DISCRETION AND RISK AND YOU WILL BE SOLELY RESPONSIBLE FOR ANY DAMAGE TO YOUR COMPUTER SYSTEM OR MOBILE DEVICE OR LOSS OF DATA THAT RESULTS FROM THE DOWNLOAD OF ANY SUCH MATERIAL. NO ADVICE OR INFORMATION, WHETHER ORAL OR WRITTEN, OBTAINED BY YOU FROM MAGZTER OR THROUGH OR FROM THE SERVICE SHALL CREATE ANY WARRANTY.

2. You will maintain and promptly update that information to keep it true, accurate, current and complete. You are responsible for maintaining the confidentiality of your account and password and for restricting access to your computer, and you agree to accept responsibility for all activities that occur under your account, including the selection and use of all content and services.

2.You will maintain and promptly update that information to keep it true, accurate, current and complete. You are responsible for maintaining the confidentiality of your account and password and for restricting access to your computer, and you agree to accept responsibility for all activities that occur under your account, including the selection and use of all content and services.

3. In no event will Magzter.com or any person or entity or third party involved in the creation, production and distribution of the content on the website and the application be liable in contract or legally for any damages, including and not limited to, direct, indirect, incidental, special, and consequential incurred to you while or on using Magzter.com. By registering on the website or downloading the application, you agree that the provisions mentioned in this section shall apply to all use of and content on the website and the application.

3. Without prior written or authorised permission from Magzter, you should not modify, copy, distribute or sell any content obtained from Magzter as everything published here is the proprietary property of Magzter or its licensors. As such unauthorised use may also violate applicable laws including copyright and trademark laws, Magzter strictly prohibits these and will terminate your access and account if any such illegal activity is proved or detected. You should also stand liable for the damages caused by these unauthorised activities. Except as permitted by the Publication's lawful owner, you acknowledge that you do not acquire any ownership rights by downloading Publications accessed through the Service. Except as explicitly required under copyright law or permitted by the features of the Service you may not modify, reverse engineer, publish, transmit, display, participate in the transfer or sale, create derivative works of, or in any way commercially exploit or provide to a third party the content of the App, the Publications, or any portion of them without the express permission of Magzter and the owner of such content. We do not grant you any licenses, express or implied, to the intellectual property of Magzter or Magzter's licensors.

5. You specifically acknowledge that Magzter.com is not liable for any kind of defamatory or offensive or illegal conduct of other users or third parties or their content and that the risk of injury from the foregoing rests entirely with you.

8. Magzter reserves all rights to monitor the content published and inputted by you for the purpose of determining whether you are compliant with these terms and conditions and other operating rules determined by Magzter. Magzter has the right to take decisions about the content and delete them at its own will.

9. Magzter is a distributor and NOT a publisher of the Publications and so Magzter has no editorial control over the content, including opinions, advice, statements, services, offers etc., that is represented in the magazines. So Magzter will not take responsibility for the accuracy or the reliability for any information or facts provided therein or that is made available through the service, by anyone other than authorised Magzter employees who are acting on their official capacities. Accordingly, we have no editorial control over the Publications. Any opinions, advice, statements, services, offers or other information or content expressed or made available by third parties, including those made in Publications offered by the Service, are those of the respective author(s) or publisher(s) and not of Magzter. Magzter will not be liable for any loss or damage caused by your reliance on information obtained through the Service or from the Publications. The Service may contain links to other Internet sites and third-party resources and Magzter does not assume any responsibility or liability for communications or materials available at such linked sites. These links are provided for your convenience only. You are solely responsible for understanding any terms and conditions that may apply when you visit or place an order through a third-party site.

Choose your favorite titles from 40+ exciting categories

Details of the objectionable content, including its link on our platform

Download your favorite titles and read them offline, anytime and anywhere

Gift your loved ones with a Magzter Gift Card instantly and give them the freedom to read their favorite magazines and newspapers from thousands of best-selling titles.

Gift your loved ones with a Magzter Gift Card instantly and give them the freedom to read their favorite magazines from thousands of best-selling titles.

Gift your loved ones with a Magzter Gift Card instantly and give them the freedom to read their favorite magazines from {{magCount}} best-selling international titles.

Girish Ramdas is the Co-founder and CEO of Magzter, a New York based startup that has been making waves in the global digital publishing business. Magzter has crossed 80 million users since its inception in 2011 from more than 150+ countries with 1000s of magazines, newspapers and books from more than 4,500 publishers worldwide. He has more than 25 years of experience in cross-platform publishing, including print, mobile, and Web development. During this period, he has co-founded and run three successful start-up businesses. He has enabled magazine companies to go digital and helps them monetize their content across the digital world. Girish's deep industry experience in online, mobile and publishing ecosystems has made him an expert in acquisition, marketing and monetizing digital content across platforms globally.

In the event that you encounter any objectionable content on our platform, we have put in place a grievance redressal policy to address your concerns.

Magzter Inc. (“Company”, “we”, “us” or “our”) knows that you care about how your personal information is used and shared. Please read the following privacy policy (the “Policy”) to learn more about our privacy practices. By visiting any of the websites operated by the Company, and any sub-domains thereof, or using any of our mobile applications and other methods of content distribution (collectively, the “Service”), you acknowledge that you accept the practices and policies outlined in this Policy, and you hereby consent that we will collect, use, and share your information in the following ways.

Magzter Inc. is the World's largest and fastest growing self-service, cross-platform digital newsstand with over 80 million users since its inception in 2011 and thousands of magazines and newspapers across 40+ categories and 60+ languages. Headquartered in New York, Magzter has its local presence in Amsterdam, London, Mexico City, Chennai, Mumbai, New Delhi, Bengaluru, Singapore, and will soon be expanding to other countries. Founded by global entrepreneurs, Girish Ramdas and Vijay Radhakrishnan in June 2011, Magzter enables magazine and newspaper publishers around the world to create and deliver digital editions of their titles to global consumers.

Magzter is committed to providing a safe and secure platform for our users. Please note that Magzter is merely a platform for publishers to distribute their content. We do not control or endorse the content published on our platform. We cannot be held responsible for the actions of our publishers or their content.

Magzter is not responsible for compensating any party that has suffered damages or incurred costs due to any content, or part of the content, that violates their rights. Magzter is not liable to face any legal action in civil court for any violation of rights caused by any content, or part of the content, that infringes the rights of a third party.

Magzter offers the world’s largest {{allyoucanread}} subscription service called {{gold}} which gives digital readers unlimited access to 9,000+ magazines and newspapers for a monthly subscription price. Magzter also has the largest number of stories in the world with its game-changing ezRead 2.0 feature for its apps, which enables smartphone and small-screen mobile users to enjoy magazine content the way it was meant to be enjoyed, with article text that is easy to read and is accompanied by stunning videos and high resolution photography.

Magzter offers the world’s largest “All-You-Can-Read” subscription service called Magzter GOLD which gives digital readers unlimited access to 9,000+ magazines and newspapers for a monthly subscription price. Magzter also has the largest number of stories in the world with its game-changing ezRead 2.0 feature for its apps, which enables smartphone and small-screen mobile users to enjoy magazine content the way it was meant to be enjoyed, with article text that is easy to read and is accompanied by stunning videos and high resolution photography.

Name

Note: This will only share the cover and the publication information, but not the content.

Please fill out this form if you need any help regarding publishing your content on Magzter

Prior to Magzter, he was the President of Dot Com Infoway (DCI) and Galatta Media. His duties included strategic marketing, partnership development, and monetizing content globally. DCI grew from a small team of 3 in 2000 to 300 by 2011 and was dealing with web, software and app development for clients globally.

Since we launched, Magzter has been committed to partnering with global organizations to provide the greatest possible newsstand technology & service to our customers. Whether you are looking to offer magazine subscriptions to your customer database or just want to learn more, Magzter is committed to helping your business grow. To find out more, please fill out the questionnaire below:

The DMCA allows us to restore the removed content if the party filing the original DMCA Notice does not file a court action against you within ten business days of receiving the copy of your Counter Notice.

This Policy covers Company’s treatment of personally identifiable information (“Personal Information”) and other information about you and your computer or device that Company gathers when you are accessing the Service. We may collect Personal Information from you, as explained in more detail below, and we use this Personal Information internally in connection with our Services, including to personalize, provide, and improve our products, services, content, and advertising, and to allow you to set up a user account and profile, to contact you, to fulfill your requests for certain products and services, and to analyze how you use the Services. In certain cases, we may also share some Personal Information with third parties, but only as described in point 4.

This title is included with your Magzter GOLD subscription

To analyze the quality of content and provide appropriate feedback to publishers

We have designated a Grievance Officer to address any complaints related to objectionable content.

We request that any complaint related to objectionable content be sent to the Grievance Officer through email to the above-mentioned email address. We also request that you provide the following details when making a complaint:

and the App that provides you the capability to order, subscribe to and receive the delivery of various magazines, books, news and magazine and publication related content (collectively known as 'Publications') and to have these digital versions of the Publications delivered to you

c. We also collect information associated with your use of the application in order to make personalized recommendations. If you provide your third-party account credentials to us, you understand some content and/or information in those accounts (“Third Party Account Information”) may be transmitted into your account with us if you authorize such transmissions, and that Third Party Account Information transmitted to the Service is covered by this Policy.

f. The Personal Information we collect allows us to respond to your requests, improve our products and services, customize the advertising and content you see, and communicate with you about new products.

is the World's largest and fastest growing self-service, cross-platform digital newsstand with over 88 million users since its inception in 2011 and thousands of magazines and newspapers across 40+ categories and 60+ languages. Headquartered in New York, Magzter has its local presence in Amsterdam, London, Mexico City, Chennai, Mumbai, New Delhi, Bengaluru, Singapore, and will soon be expanding to other countries. Founded by global entrepreneurs, Girish Ramdas and Vijay Radhakrishnan in June 2011, Magzter enables magazine and newspaper publishers around the world to create and deliver digital editions of their titles to global consumers.

n. We will also use usage information in order to ensure users adhere to our Terms of Use. For example, a user’s usage information will help us confirm that a user only downloads a magazine or other content a permitted number of times or to a permitted number of devices.

which gives digital readers unlimited access to 9,000+ magazines and newspapers for a monthly subscription price. Magzter also has the largest number of stories in the world with its game-changing ezRead 2.0 feature for its apps, which enables smartphone and small-screen mobile users to enjoy magazine content the way it was meant to be enjoyed, with article text that is easy to read and is accompanied by stunning videos and high resolution photography.

{{magzter}} is the World's largest and fastest growing self-service, cross-platform digital newsstand with over 88 million users since its inception in 2011 and thousands of magazines and newspapers across 40+ categories and 60+ languages. Headquartered in New York, Magzter has its local presence in Amsterdam, London, Mexico City, Chennai, Mumbai, New Delhi, Bengaluru, Singapore, and will soon be expanding to other countries. Founded by global entrepreneurs, Girish Ramdas and Vijay Radhakrishnan in June 2011, Magzter enables magazine and newspaper publishers around the world to create and deliver digital editions of their titles to global consumers.