It is a truth that may be hard to imagine in a world devastated by illness and economic insecurity, riven by racism and unrest, but we will get dressed again.
Dressed not for the anonymity of the hospital or the essential workforce, the heat and heartbreak of the protest, the anomie of the supermarket or the park, but for the next stage catharsis. Capital D Dressed. It is both history and human nature.
“We will come out of this like we come out of a war,” said Li Edelkoort, a trend forecaster. “The buildings are still there, but everything is in ruins. We will want two things: security and to dance.”
“We will be aching for something new, to refresh our personalities,” she said. “Eccentric clothes, romantic clothes.”
And that is why, after months in which the death of fashion was proclaimed loudly and regularly, a week when it was once again forced to confront its own role in preserving inequality, the motor of the industry has begun to shift into gear once more, in Europe and Asia if not yet in the United States, where stores remain nailed shut.
Thus far, there has been a lot of focus on the “system.” A lot of anguish about the need for change and angst over shopping. Will anyone ever want to do it again?
It’s the wrong question. What we should be asking is: When we reengage with a world pockmarked by pain, and see one another — from more than just the shoulders up — what will we want to wear?
It sounds ridiculous: Who cares what we will wear when there has been so much tragedy and economic destruction, when old wounds left to fester have been gashed open once again? But the root of that question is as cyclical as history: What will our post-crisis identities look like?
この記事は T Singapore: The New York Times Style Magazine の July 2020 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
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この記事は T Singapore: The New York Times Style Magazine の July 2020 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
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