Alexandra Bircken often compares her work to skin. For her, it’s a membrane between internal and external; it’s what protects us, what makes us permeable and what functions as the canvas we dress and exhibit to the world. It seems logical, then, that the German artist began a career working with the second skin of humanity: fashion.
In the early 1990s, Bircken left Remscheid, her hometown near Cologne, for the UK, with her lifelong friends Wolfgang Tillmans and Lutz Huelle (she and Huelle will stage a joint show at Paris’ Fondation Pernod Ricard in November). In London, she studied fashion design at Central Saint Martins. ‘I had been reading i-D and The Face, and [London] is where I wanted to be. The underground fashion and eccentricity didn’t exist – and still doesn’t exist – in Germany, so there was no choice,’ she explains. ‘I followed what I wanted to do, which was to play around with individuality.’
This story is from the March 2022 edition of Wallpaper.
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This story is from the March 2022 edition of Wallpaper.
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