BEFORE KNOLLWOOD LANE became the outlet for Susan Medart’s late-night inspirations seven years ago, she was a home décor hobbyist. “I was one of those people who would wake up in the middle of the night with an idea and not go back to sleep until I did something with it,” she recalls.
Three years ago, Medart’s daughter-inlaw, Allyson Medart, who also has a background in art and is similarly inspired by all things home-related, joined her mother-in-law in business. Their arrangement isn’t unique, but it’s not every day that a mother and daughter-in-law share so much in common that they build their professional lives around those interests. “I was moving from Texas, getting married, and starting a new job with my mother-in-law,” says Allyson. “There’s always a nervous feeling when you start [something new], but I knew we were going to get along well.”
This story is from the September/October 2020 edition of DesignSTL.
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This story is from the September/October 2020 edition of DesignSTL.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
Cut from the Same Cloth
“Turkey Tracks” is a 19th-century quiltmaking pattern that has the appearance of little wandering feet. Patterns like the tracks, and their traditions and myths, have been passed down through the generations, from their frontier beginnings to today, where a generation of makers has embraced the material as a means of creating something new. Olivia Jondle is one such designer. Here, she’s taken an early turkey track-pattern quilt, cut it into various shapes, and stitched the pieces together, adding calico and other fabric remnants as needed. The result is a trench coat she calls the Pale Calico Coat. Her designs are for sale at The Rusty Bolt, Jondle’s small-batch fashion company based in St. Louis. —SAMANTHA STEVENSON
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