AS A YOUNG GIRL, St. Louis native Molasky searched for images everywhere, in puffy white clouds and in the condensation forming on window glass. Inspired by her grandmother, who was also an artist, Molasky created make-believe worlds using rocks, sticks, and dandelions where she let her imagination go. “I don’t remember a time when I didn’t consider myself an artist,” she says.
Molasky began private art lessons when she was 15. At 20, she earned her first commission. She studied at the Kansas City Art Institute and received her MFA from Washington University. Specializing in portraits and landscapes, Molasky continues to be inspired by nature. In her work, she is drawn to capturing a subject’s personality and the way light falls on them. “I believe that being an artist is more about the way one observes and reflects on the world than what they produce,” she says.
This story is from the November/December 2020 edition of DesignSTL.
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This story is from the November/December 2020 edition of DesignSTL.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
Cut from the Same Cloth
“Turkey Tracks” is a 19th-century quiltmaking pattern that has the appearance of little wandering feet. Patterns like the tracks, and their traditions and myths, have been passed down through the generations, from their frontier beginnings to today, where a generation of makers has embraced the material as a means of creating something new. Olivia Jondle is one such designer. Here, she’s taken an early turkey track-pattern quilt, cut it into various shapes, and stitched the pieces together, adding calico and other fabric remnants as needed. The result is a trench coat she calls the Pale Calico Coat. Her designs are for sale at The Rusty Bolt, Jondle’s small-batch fashion company based in St. Louis. —SAMANTHA STEVENSON
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