This jewelry specialist shines at her job.
“The auction world is never boring,” says Maury Humphries, jewelry specialist in the St. Louis office of Leslie Hindman Auctioneers. “I’ve spent 30 years in the business, starting at the original Selkirk’s, and I still love it. Bruce Selkirk was my uncle.” When Humphries was 15 years old, Selkirk hired her to hang tags on items that were brought into the auction house. “One day a lady came in with sapphire jewelry, and something didn’t look right to me,” Humphries says. It turned out that the sapphires were synthetic. “My uncle turned to me and said, ‘You’re now the jewelry expert.’”
YOU WERE YOUNG FOR SUCH A BIG JOB. HOW DID YOU MANAGE IT?
This story is from the November/December 2018 edition of DesignSTL.
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This story is from the November/December 2018 edition of DesignSTL.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
Cut from the Same Cloth
“Turkey Tracks” is a 19th-century quiltmaking pattern that has the appearance of little wandering feet. Patterns like the tracks, and their traditions and myths, have been passed down through the generations, from their frontier beginnings to today, where a generation of makers has embraced the material as a means of creating something new. Olivia Jondle is one such designer. Here, she’s taken an early turkey track-pattern quilt, cut it into various shapes, and stitched the pieces together, adding calico and other fabric remnants as needed. The result is a trench coat she calls the Pale Calico Coat. Her designs are for sale at The Rusty Bolt, Jondle’s small-batch fashion company based in St. Louis. —SAMANTHA STEVENSON
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