IN 2018, WHEN David Montgomery teamed up with his sister, Ann Montgomery, and her partner, Andy Holman, to open The Bricoleur on Cherokee Street in Benton Park West, they were wanting to create an atmosphere that combined two things they love: antiques and contemporary art.
The name itself is unconventional. It comes from the French word bricolage, which refers to the creation of art from leftover materials that the maker, or bricoleur, has on hand. True to the name of the shop, its owners have curated a mix of antiques, repurposed furniture, and original paintings and photography.
Though The Bricoleur is Ann and Andy’s first foray into retail, David once owned a similar store in Lawrence, Kansas, where he sold things made of discarded materials “years before they were calling it upcycling,” he says. But making that business work was a constant financial struggle that eventually forced him to close.
This story is from the Jan/Feb 2020 edition of DesignSTL.
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This story is from the Jan/Feb 2020 edition of DesignSTL.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
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Cut from the Same Cloth
“Turkey Tracks” is a 19th-century quiltmaking pattern that has the appearance of little wandering feet. Patterns like the tracks, and their traditions and myths, have been passed down through the generations, from their frontier beginnings to today, where a generation of makers has embraced the material as a means of creating something new. Olivia Jondle is one such designer. Here, she’s taken an early turkey track-pattern quilt, cut it into various shapes, and stitched the pieces together, adding calico and other fabric remnants as needed. The result is a trench coat she calls the Pale Calico Coat. Her designs are for sale at The Rusty Bolt, Jondle’s small-batch fashion company based in St. Louis. —SAMANTHA STEVENSON
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