At Moncks Bay in Christchurch, the last house designed by the late David Mitchell is both playful and rational.
The welcome mat at Olle and Clare Enberg’s seaside Christchurch home hints at a couple of things to expect beyond the front door. Woven, improbably, from 46 metres of rope into an endless Turk’s Head knot, it’s a nod to the subtle maritime theme of this 18-month-old house, the last designed by the late David Mitchell, of Auckland-based Mitchell Stout Dodd Architects.
It’s also not a bad metaphor for the masterful way the architect has condensed so much living into such a tricky space – a pinched 312 square metre section between the road and Moncks Bay, with close neighbours and tight height-to-boundary restrictions. Step inside, jag right, and there – through a large awning window that you open using a rope resembling a sailboat’s mainsheet – is the fast-flowing estuary. People like to say of a house built close to the water: ‘You could catch a fish from the deck’. In the Enbergs’ case, that’s a statement of fact – they routinely observe people casting a line from the narrow grass strip that separates their boundary from the water’s edge.
Before the Canterbury earthquakes, Olle, a master mariner and marine surveyor, and Clare, a Montessori teacher, owned a house on the heights between Moncks Bay and Sumner. When that was red-stickered, they bought a ramshackle fisherman’s cottage on this section and drew up plans to renovate. Three days before they were due to sign a building contract, water from broken infrastructure across the road flooded the place. They decided to bulldoze and build anew.
This story is from the June 2018 edition of HOME.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the June 2018 edition of HOME.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
The Past Is Present
In exhibitions at public galleries around the country, artists reflect on our collective, individual and cultural histories.
Why I Walk Carl Douglas
How the experience of walking reveals our world to us and informs our sense of our place in it.
My Favourite Building Chlöe Swarbrick
Built on Auckland’s Karangahape Road in the 1920s, St Kevin’s Arcade has served as vocational inspiration and a meeting place for the Green MP since she was a teenager.
Humble Special
PAC Studio designs a home on a tiny budget in the bush above the Kaipara Harbour.
Modern Love
Assembly Architects draws on lightweight Californian modernism to craftan elegant mountain retreat.
Family Tree
On a leafy site in the Waikato, Tane Cox crafts a subtle home for three generations
LOW PROFILE
Sometimes, strict covenants can be a blessing in disguise.
Fine Line
A house in a vineyard by Stuart Gardyne shows country living need not be rustic.
Elegant Shed
Ben Daly rehabilitates a farm building with a long family history on the Canterbury Plains.
Perfect Pitch
An encampment by an inlet casually inhabits land at Tawharanui.