CUANDO EL AUTOR XAVIER VELASCO CEDI&Oacute; LOS DERECHOS DE SU NOVELA GANADORA DEL PREMIO ALFAGUARA 2003 PARA QUE SE CONVIRTIERA EN UNA SERIE, SE NEGABA A INTERFERIR EN EL PROCESO CREATIVO. El escritor de 53 a&ntilde;os confiesa que lo descontrola la idea de tener que trabajar para un equipo de 50 personas, en el que todos dan su opini&oacute;n. &ldquo;Cuando termino de escribir un libro, no vuelvo a pensar en &eacute;l&rdquo;, dice en exclusiva para Accent. &ldquo;Publiqu&eacute; la novela en 2003 y firm&eacute; contrato para convertirla en serie en 2012. La sola idea de regresar a la historia y hacer un gui&oacute;n era un trabajo que de ninguna manera quer&iacute;a hacer. Alguna vez hice guiones corporativos por encargo y lo odiaba&rdquo;.Su reticencia tambi&eacute;n tuvo que ver con que no le gusta explicarle al p&uacute;blico c&oacute;mo debe percibir a Violetta, su protagonista, interpretada por Paulina Gait&aacute;n, una adolescente que roba miles de d&oacute;lares a sus padres y se fuga a Nueva York para darse, seg&uacute;n ella, la gran vida. &ldquo;Soy el autor, pero eso no me hace una autoridad en la novela. Si algo me enfermaba era la idea de llegar a la producci&oacute;n y decirles: &lsquo;Esto tiene que hacerse as&iacute;&rsquo;, porque si t&uacute; lees Diablo Guardi&aacute;n, no puedo estar junto a ti para decirte: &lsquo;No pienses que este personaje es as&iacute;&rsquo;. Es tu lectura y t&uacute; creas tu novela al leerla&rdquo;.<img src="http://magarticles.magzter.com/articles/8469/283348/5b20f8ab50556/1528887420019.jpg"" owidth=494 oheight=441" style="height:536px; width:600px" />La protagonista Paulina Gait&aacute;n entendi&oacute; esto a la perfecci&oacute;n. Supo separar la novela de la serie al interpretar a Violetta. Empez&oacute; el rodaje cuando hab&iacute;a le&iacute;do m&aacute;s de la mitad de la novela y tuvo que dejarla porque no quer&iacute;a entorpecer el trabajo de toda la producci&oacute;n. &ldquo;Cuando me dijeron que me hab&iacute;a quedado en la serie, decid&iacute; parar porque hab&iacute;a muchos momentos en donde yo ya ten&iacute;a los di&aacute;logos y dec&iacute;a: &lsquo;Ah, claro&rsquo;, porque yo estaba con este personaje. Y me dec&iacute;an: &lsquo;No, eso es en el libro&rsquo;. Al final, todos entendimos que &iacute;bamos de la mano con el libro, pero que &eacute;sta era una adaptaci&oacute;n&rdquo;.<img src="http://magarticles.magzter.com/articles/8469/283348/5b20f8ab50556/1528887439722.jpg"" owidth=410 oheight=413" style="height:604px; width:600px" />El resto del elenco agradece que Xavier se haya mantenido al margen. El actor Adri&aacute;n Ladr&oacute;n, quien interpreta al publicista aspirante a escritor y alter ego de Velasco, Pig, tuvo un par de escenas con el autor; que por cierto, en esta serie debuta como actor. &ldquo;De Xavier tuvimos su bendici&oacute;n, sus consejos y despu&eacute;s, su distancia&rdquo;, explica Adri&aacute;n, &ldquo;que tambi&eacute;n fue muy afortunado, porque tener un autor que te est&aacute; vigilando no siempre es lo mejor. &Eacute;l nos solt&oacute; su novela, nos dijo: &lsquo;H&aacute;ganla suya, conf&iacute;o plenamente en ustedes&rsquo;, y eso nos ayud&oacute; a sentirnos mucho m&aacute;s libres y seguros&rdquo;.El caso de Andr&eacute;s Almeida, quien interpreta al villano Nesfast&oacute;feles, es muy parecido al de Velasco porque es fan de la obra y por lo mismo, estaba muy familiarizado con la historia y los personajes. Por eso, al dar vida al proxeneta de Violetta, tuvo que mantenerse al margen del libro y s&oacute;lo tener como base el gui&oacute;n adaptado por Catalina Aguilar Mastretta . &ldquo;Le&iacute; la novela hace casi 15 a&ntilde;os y me enamor&eacute; de ella porque justo en ese momento estaba viviendo una separaci&oacute;n; de alguna manera fue mi acompa&ntilde;ante durante ese periodo. Trat&eacute; de no releerla para esta interpretaci&oacute;n porque no quer&iacute;a que influyera en nada&rdquo;.Aunque Xavier finalmente no interfiri&oacute; en la serie, s&iacute; tuvo la &uacute;ltima palabra en la elecci&oacute;n de la protagonista. De hecho, fue su &uacute;nico requisito, que incluso qued&oacute; asentado en el contrato. &ldquo;Un d&iacute;a lleg&oacute; Pepe Nacif (productor ejecutivo) con el casting (de Paulina Gait&aacute;n) y antes de verlo pens&eacute;: &lsquo;A ver si no nos damos un agarr&oacute;n&rsquo;. Y pues no; la vi y les dije: &lsquo;No s&eacute; qu&eacute; piensen ustedes, pero para m&iacute; la indicada es Paulina&rsquo;. Todos estuvieron de acuerdo y en cinco minutos ya est&aacute;bamos brindando&rdquo;.

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