LO COM&Uacute;N ES QUE EL TRAYECTO A LA CIMA DE LA INDUSTRIA DEL CINE SEA LENTO, CUANDO MENOS GRADUAL. Pero cada tanto aparece un cineasta, con una visi&oacute;n tan potente y particular, que comienza su carrera desde la cima. Jordan Peele logr&oacute; esta proeza cuando debut&oacute; con Get Out (2017). Con ella explor&oacute;, a trav&eacute;s de un joven afroamericano que conoce a la familia blanca de su novia, el racismo en Estados Unidos. &ldquo;Creo que pocas pel&iacute;culas tratan con respeto al p&uacute;blico porque no asumen que es inteligente. Los espectadores quieren ser sorprendidos. Si los cuidas, y con esto quiero decir que si los asumes como inteligentes emocional e intelectualmente, ellos creer&aacute;n en ti&rdquo;, dice Jordan Peele en entrevista desde Los &Aacute;ngeles. Con su &oacute;pera prima, justamente hizo eso. Demostr&oacute; que una pel&iacute;cula puede ser un fen&oacute;meno pop y tambi&eacute;n, sociopol&iacute;ticamente relevante. Get Out fue alabada por la cr&iacute;tica y lo convirti&oacute; en el primer afroamericano en la historia en ganar el &Oacute;scar a guion original; adem&aacute;s, el filme fue un &eacute;xito comercial, pues cost&oacute; 4.5 millones de d&oacute;lares y recaud&oacute; en taquilla 254 millones, rompiendo el r&eacute;cord del mejor debut de un director, desde The Blair Witch Project (1999).<img src="https://magarticles.magzter.com/articles/8469/346211/5cfa41341e709/1559904521454.jpg"" owidth=664 oheight=554" style="height:501px; width:600px" />Peele, quien antes de ser cineasta cobr&oacute; notoriedad por los sketches c&oacute;micos y parodias que hac&iacute;a en el programa Key and Peele, super&oacute; con su nuevo thriller, Us, las altas expectativas que gener&oacute; su debut. &ldquo;No quiero que me estereotipen. Deseo que mi carrera sea una serie de pel&iacute;culas que rompan con lo establecido, que no sean f&oacute;rmulas. Lo que sea que el p&uacute;blico piense que es el l&iacute;mite de lo que puedo ser como director, es justo lo que quiero usar en su contra cuando cuento una historia&rdquo;.En Us, protagonizada por Lupita Nyong&rsquo;o y Winston Duke, evit&oacute; el tema del racismo. &ldquo;Creo que esta decisi&oacute;n hace que mi p&uacute;blico tenga que confiar en m&iacute; como contador de historias&rdquo;. Ahora, a trav&eacute;s de una familia que debe enfrentar a muerte a sus doppelg&auml;ngers &ndash;vocablo alem&aacute;n para definir un doble fantasmag&oacute;rico&ndash;, Peele emplea este thriller, tambi&eacute;n cargado de humor, como una met&aacute;fora para retratar c&oacute;mo nosotros mismos somos nuestros peores enemigos. &ldquo;Emple&eacute; a un doppelg&auml;nger para representar f&iacute;sicamente el miedo de enfrentarme a m&iacute; mismo, cara a cara. Es simb&oacute;lico y personal, es encarar tu oscuridad, tus demonios&rdquo;. Sin embargo, su nuevo thriller es mucho m&aacute;s profundo, la trama sobrenatural es casi un pretexto para hablar sobre la realidad de su pa&iacute;s. &ldquo;Si le pones muchos subtextos a una pel&iacute;cula para que esta tenga muchas lecturas diferentes, ellos [los espectadores] volver&aacute;n a verla una y otra vez&rdquo;. Como con Get Out, Peele volvi&oacute; a tocar las fibras sensibles de su cultura sin dejar de ser un fen&oacute;meno pop. Us recaud&oacute; 70 millones de d&oacute;lares en su primer fin de semana en Estados Unidos; de esta manera, se convirti&oacute; en la mejor apertura comercial de una pel&iacute;cula de terror original, sobrepasando a A Quiet Place (2018).<img src="https://magarticles.magzter.com/articles/8469/346211/5cfa41341e709/1559904541867.jpg"" owidth=410 oheight=609" style="height:891px; width:600px" />Us tiene como protagonista a Adelaide Wilson, una madre que sufri&oacute; un trauma durante su ni&ntilde;ez. Ese evento paranormal, que pens&oacute; producto de su imaginaci&oacute;n, se confirma una realidad cuando al vacacionar en su casa frente al lago, descubre que personas id&eacute;nticas a ella, su esposo y sus hijos, intentan asesinarlos. Sin embargo, Us es en su n&uacute;cleo una radiograf&iacute;a de un Estados Unidos dividido social y pol&iacute;ticamente. Peele cree que el thriller es una plataforma perfecta para conocer a una sociedad. &ldquo;Lo es porque el cine es una experiencia colectiva: todos nos sentamos en la sala a explorar nuestros miedos y eso revela mucho, demuestra que no somos tan distintos&rdquo;.

El Nuevo Maestro Del Terror

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