Whether a building has been long lost or is yet to be erected, the business of visualising it convincingly is both highly technical and demanding. John Goodall talks to five outstanding practitioners about their artistry
An atrium by Studio Indigo
Liam Wales
Architecture and art filled my childhood. My great grandmother, grandmother and father designed, drew and made things all the time and i worked with them. then, i studied sculpture as a student and worked as a cabinetmaker. Making things remains as important to me as drawing. i started doing house portraits after leaving art college and then I began illustrating guidebooks for English Heritage.
It’s essential, when doing a reconstruction drawing, to visit the site and get a sense of it. When doing house portraits, I like to draw on location and to work quickly to give the pictures spontaneity. I never forget a scene and I delight in the way that quirky details—cars, signs and people—bring drawings to life.
Liam Wales at work amid the Cambridge Circus crowds
I now mainly work alongside architects and interior designers to create artistic visualisations of their proposals for new buildings and interiors. I typically work on the basis of their computer-aided drawings (CAD); in effect, I embellish the 3D wire frame of a room or structure that they provide. Working by hand, it’s possible to render organic shapes with a facility and also to edit down the excess of material that a computer provides you with. When it comes to my own tastes in architecture, I’m less interested in grand designs than the playful treatment of detail. For this reason, I love the work of Caruso St John Architects— for example, Tate Britain or the signage at Bankside. My favourite interiors, however, are those of Kettle’s Yard in Cambridge, with its beautifully placed objects and sculpture.
Visualising a proposal for a new house by Levitate architects
Chris Jones-Jenkins
This story is from the July 20 2016 edition of Country Life UK.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the July 20 2016 edition of Country Life UK.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
Kitchen garden cook - Apples
'Sweet and crisp, apples are the epitome of autumn flavour'
The original Mr Rochester
Three classic houses in North Yorkshire have come to the market; the owner of one inspired Charlotte Brontë to write Jane Eyre
Get it write
Desks, once akin to instruments of torture for scribes, have become cherished repositories of memories and secrets. Matthew Dennison charts their evolution
'Sloes hath ben my food'
A possible paint for the Picts and a definite culprit in tea fraud, the cheek-suckingly sour sloe's spiritual home is indisputably in gin, says John Wright
Souvenirs of greatness
FOR many years, some large boxes have been stored and forgotten in the dark recesses of the garage. Unpacked last week, the contents turned out to be pots: some, perhaps, nearing a century old—dense terracotta, of interesting provenance.
Plants for plants' sake
The garden at Hergest Croft, Herefordshire The home of Edward Banks The Banks family is synonymous with an extraordinary collection of trees and shrubs, many of which are presents from distinguished friends, garnered over two centuries. Be prepared to be amazed, says Charles Quest-Ritson
Capturing the castle
Seventy years after Christian Dior’s last fashion show in Scotland, the brand returned under creative director Maria Grazia Chiuri for a celebratory event honouring local craftsmanship, the beauty of the land and the Auld Alliance, explains Kim Parker
Nature's own cathedral
Our tallest native tree 'most lovely of all', the stately beech creates a shaded environment that few plants can survive. John Lewis-Stempel ventures into the enchanted woods
All that money could buy
A new book explores the lost riches of London's grand houses. Its author, Steven Brindle, looks at the residences of plutocrats built by the nouveaux riches of the late-Victorian and Edwardian ages
In with the old
Diamonds are meant to sparkle in candlelight, but many now gather dust in jewellery boxes. To wear them today, we may need to reimagine them, as Hetty Lintell discovers with her grandmother's jewellery