Emily Maude
Brighton-based illustrator and designer Emily Maude creates works on the glass as well as on paper, featuring Staffordshire dogs and lustreware jugs set against chinoiserie wallpaper. When on furlough last year, she shifted her focus to nearby Charleston, the East Sussex farmhouse that was once home to Vanessa Bell and Duncan Grant. Moved by its financial plight during the lockdown, she organized an auction of work by fellow artists, which raised £55,000. ‘I’ve loved Charleston since I was a child. There’s something wonderful about that idea that every surface is a canvas. Good design can be applied to everything and should be affordable to anyone—that’s my ethos.’
Following the success of the Charleston auction, her work has blossomed, thanks, in part, to the power of Instagram.
Mrs. Maude brings a fresh perspective to the historic technique of reverse glass painting and imbues her paper works with a feeling of cabinets of curiosity or flea-market finds. Her pieces feature brightly colored birds sitting in branches, lustreware jugs bursting with flowers, Staffordshire dogs with imploring eyes staring up from patterned tablecloths.
This story is from the June 02, 2021 edition of Country Life UK.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the June 02, 2021 edition of Country Life UK.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
Kitchen garden cook - Apples
'Sweet and crisp, apples are the epitome of autumn flavour'
The original Mr Rochester
Three classic houses in North Yorkshire have come to the market; the owner of one inspired Charlotte Brontë to write Jane Eyre
Get it write
Desks, once akin to instruments of torture for scribes, have become cherished repositories of memories and secrets. Matthew Dennison charts their evolution
'Sloes hath ben my food'
A possible paint for the Picts and a definite culprit in tea fraud, the cheek-suckingly sour sloe's spiritual home is indisputably in gin, says John Wright
Souvenirs of greatness
FOR many years, some large boxes have been stored and forgotten in the dark recesses of the garage. Unpacked last week, the contents turned out to be pots: some, perhaps, nearing a century old—dense terracotta, of interesting provenance.
Plants for plants' sake
The garden at Hergest Croft, Herefordshire The home of Edward Banks The Banks family is synonymous with an extraordinary collection of trees and shrubs, many of which are presents from distinguished friends, garnered over two centuries. Be prepared to be amazed, says Charles Quest-Ritson
Capturing the castle
Seventy years after Christian Dior’s last fashion show in Scotland, the brand returned under creative director Maria Grazia Chiuri for a celebratory event honouring local craftsmanship, the beauty of the land and the Auld Alliance, explains Kim Parker
Nature's own cathedral
Our tallest native tree 'most lovely of all', the stately beech creates a shaded environment that few plants can survive. John Lewis-Stempel ventures into the enchanted woods
All that money could buy
A new book explores the lost riches of London's grand houses. Its author, Steven Brindle, looks at the residences of plutocrats built by the nouveaux riches of the late-Victorian and Edwardian ages
In with the old
Diamonds are meant to sparkle in candlelight, but many now gather dust in jewellery boxes. To wear them today, we may need to reimagine them, as Hetty Lintell discovers with her grandmother's jewellery