Por la ma&ntilde;ana antes del &uacute;ltimo show de alta costura de Giorgio Armani en Par&iacute;s, el maestro est&aacute; tan calmado como siempre, trabajando con su equipo en el atelier con filas alineadas de vestidos negros vaporosos que constituyen una parte significativa de la colecci&oacute;n. Cada detalle es exquisito &ndash;cuentas de cristal incrustadas y bordados, nubes de plumas negras, capas fluidas de tul y terciopelo sinuoso&ndash;, mientras el se&ntilde;or Armani, atento y alerta como un conductor orquestal, hace sus ajustes finales para crear una elegante sinfon&iacute;a que es la expresi&oacute;n m&aacute;s pura de su prevaleciente visi&oacute;n de la belleza.A sus 83 a&ntilde;os, luce distintivamente saludable: bronceado, delgado y vestido en su uniforme caracter&iacute;stico con una playera azul medianoche y pantalones marinos. Su mirada fija abarca todo y, justo despu&eacute;s de saludarnos, ya ha tomado nota de los detalles de mis prendas (zapatos de bailarina, una blusa floral de chif&oacute;n y jeans). Se refiere a &eacute;stos casi de inmediato cuando le pregunto acerca de su decisi&oacute;n de poner en el escenario su &uacute;ltimo show de Emporio Armani durante la Semana de la Moda en Londres en septiembre (que coincide con la reapertura de su tienda en la calle Bond). &ldquo;He estado lejos de Londres por mucho tiempo&rdquo;, dice. &ldquo;La ciudad ha cambiado, yo he cambiado y la moda ha cambiado. Pero lo que ha permanecido es mi deseo a expresarme. Porque en este mundo r&aacute;pidamente cambiante puedes ser influenciado y arrastrado de una direcci&oacute;n a otra, y perder tu propia identidad. Pero tengo ojos y o&iacute;dos; miro a mi alrededor y escucho, y me he dado cuenta que usas tus jeans de una manera hermosa, cosa que, quiz&aacute;, no hubieras hecho hace 10 a&ntilde;os. As&iacute; que esto es lo que significa, &eacute;ste es el Londres del 2017, 2018. Y ahora considero que Londres es, tal vez, mucho m&aacute;s sofisticado que antes&rdquo;.La sofisticaci&oacute;n es, por supuesto, la esencia del estilo Armani, desde que lanz&oacute; su marca en 1975, con una singularidad que lo ha convertido en una rareza entre los dise&ntilde;adores contempor&aacute;neos: el presidente y due&ntilde;o de su propio negocio &ndash;con una fortuna personal de poco m&aacute;s de ocho billones de d&oacute;lares&ndash; y un verdadero independiente en una era de conglomerados globales. Y de alguna manera ha hecho que esta haza&ntilde;a casi imposible parezca sencilla, mientras hace que su sutil y caracter&iacute;stica confecci&oacute;n luzca espont&aacute;nea. Pero vale la pena recordar lo radical que esto fue al principio de su carrera, cuando desensambl&oacute; las l&iacute;neas r&iacute;gidas de los abrigos tradicionales, perfeccionando una versi&oacute;n ingeniosa, pero simplificada de prendas andr&oacute;ginas que otorgaban una gracia flexible entre aquellos que decidieran usar Armani, ya fuera por trabajo o placer. Como Coco Chanel &ndash;una dise&ntilde;adora a quien admira profundamente, junto con Yves Saint Laurent&ndash;, Armani tiene una aptitud para crear simplicidad que oculta la complejidad de su talento, inspiraci&oacute;n y ambici&oacute;n. Y una vez m&aacute;s como Chanel, las superficies pulcras de su imperio, art&iacute;fice de su &eacute;xito, tambi&eacute;n pueden contener problemas del pasado y profundidades ocultas. &ldquo;Soy muy duro conmigo, incluso m&aacute;s que con quienes me rodean&rdquo;, relat&oacute; en una memoria publicada en 2015. Y su vida fue desafiante desde el comienzo, ya que naci&oacute; durante la depresi&oacute;n, en julio de 1934, y creci&oacute; bajo la sombra de la dictadura fascista de Mussolini, en la ciudad italiana del norte Piacenza, la cual sufri&oacute; bombardeos intensos durante la Segunda Guerra Mundial. En sus memorias, Armani record&oacute; &ldquo;el miedo de vivir en una ciudad bombardeada, resguard&aacute;ndome en s&oacute;tanos&rdquo;, y en previas conversaciones me ha contado acerca de las carencias de la guerra y sus consecuencias, cuando &ldquo;no hab&iacute;a dinero y nada para comer&rdquo;. El segundo hijo de tres, su hermano m&aacute;s grande (Sergio, a&uacute;n con vida) y una hermana m&aacute;s chica, Rosanna; su padre era trabajador de una empresa de transportes, y m&aacute;s tarde arrestado y encarcelado por varios meses despu&eacute;s de la guerra, por cargos de haber trabajado en un estado fascista. Su madre, ama de casa, quien tambi&eacute;n organizaba campamentos de verano para ni&ntilde;os, era una mujer hermosa, majestuosa, pero con una presencia austera; una dama naturalmente elegante, dice, pero una a quien las muestras de cari&ntilde;o no se le daban.<img src="http://magarticles.magzter.com/articles/7560/250262/5a048396cc7d9/1510245156611.jpg" owidth=1333 oheight=1620" style="height:972px; width:800px" />Despu&eacute;s de padecer una larga estancia en el hospital &ndash;resultado de un traumatismo infantil durante la guerra, cuando result&oacute; seriamente quemado por una explosi&oacute;n&ndash;, Armani desarroll&oacute; una ambici&oacute;n temprana para convertirse en doctor. Pas&oacute; tres a&ntilde;os estudiando medicina, seguidos de dos de servicio militar obliga torio, pero con el tiempo decidi&oacute; que necesitaba un trabajo para ayudar a la manutenci&oacute;n de su familia. Hall&oacute; uno en una tienda departamental en Mil&aacute;n: La Rinascente, inicialmente como escaparatista, luego como un comprador de ropa para hombre. &ldquo;La primera vez que visit&eacute; Londres a&uacute;n trabajaba en La Rinascente&rdquo;, recuerda, &ldquo;y era el provocativo Londres de la calle Canaby. No hablaba ingl&eacute;s, y proveniente de los suburbios italianos, estaba un poco sorprendido. Pero asombrado de una buena manera&rdquo;.Armani eventualmente dio el paso hacia el dise&ntilde;o de moda, trabajando para el magnate textil italiano Nino Cerruti, pero no fue hasta que cumpli&oacute; 40 que se sinti&oacute; capaz de contemplar el lanzamiento de su propia marca. E incluso entonces, esto sucedi&oacute; por el amor y apoyo de su pareja, Sergio Galeotti, quien lo motiv&oacute; a arriesgarse a establecer su negocio. El &eacute;xito fue un cambio, en parte porque la sutil androginia de la apariencia de Armani demostr&oacute; ser la ideal elecci&oacute;n sartorial para una nueva generaci&oacute;n de mujeres trabajadoras para quienes el feminismo no exclu&iacute;a la moda. Pero tambi&eacute;n hab&iacute;a algo m&aacute;s en juego en el ascenso de Armani: una sexualidad que tiende ser olvidada por quienes lo apodaron el rey de lo crudo. Debe considerarse el rol integral del dise&ntilde;ador confeccionando para American Gigolo, donde Richard Gere es m&aacute;s seductor mientras se viste en sus trajes hechos a la medida que cuando est&aacute; desnudo. Aqu&iacute; las prendas son como una segunda piel, y con una intimidad similar y un toque delicado.Me pregunto tambi&eacute;n c&oacute;mo la misma identidad sexual de Armani pudo haber influenciado su trabajo, debido a que creci&oacute; en un periodo en el que el fascismo buscaba a como d&eacute; lugar suprimir la homosexualidad (y aunque dicha persecuci&oacute;n ya no es sancionada por el estado italiano, todav&iacute;a no es un Estado que acepte del todo los derechos gay). Ciertamente no existe nada exagerado en el estilo Armani; por lo tanto, tal vez, la manera en que su ropa masculina ha sido utilizada para grandes efectos por cineastas hollywoodenses, para sugerir la hipermasculinidad de los papeles mafiosos en The Untouchables y Goodfellas, pero como tambi&eacute;n es evidente en American Gigolo, esto puede no descartar un trasfondo subversivo homoer&oacute;tico, cualesquiera que hayan sido las intenciones aparentes del director.Tr&aacute;gicamente, el ascenso de Armani al &eacute;xito fue oscurecido por la muerte de Galeotti a causa de sida en 1985. Esta terrible p&eacute;rdida pudo haber parecido insuperable, dado que Galeotti era el socio empresarial de Armani, as&iacute; como su compa&ntilde;ero de vida e inspiraci&oacute;n. Pero la fortaleza interna del dise&ntilde;ador &ndash; con una cualidad de acero&ndash; se manifest&oacute; con intensidad suficiente para catapultar a la empresa a nuevas alturas. &ldquo;Retos: los amo m&aacute;s que nada&rdquo;, escribi&oacute; en sus memorias, aunque es evidente que sufri&oacute; profundamente su p&eacute;rdida. Cuando entrevist&eacute; al se&ntilde;or Armani hace dos a&ntilde;os con motivo del 40 aniversario de su compa&ntilde;&iacute;a, remarc&oacute;: &ldquo;Para ser creativo necesitas ser capaz de responder al dolor. Si todo resultara bien, te aburrir&iacute;as&rdquo;.<img src="http://magarticles.magzter.com/articles/7560/250262/5a048396cc7d9/1510245251486.jpg" owidth=1335 oheight=1621" style="height:971px; width:800px" />Lo cual hace de Armani &ndash;el hombre y la marca&ndash; m&aacute;s complicado de lo que uno podr&iacute;a asumir en primera instancia. Simplemente hay que observar el inesperado toque de gracia que es evidente en su trabajo; en esta colecci&oacute;n de alta costura, por ejemplo, hay peque&ntilde;os sombreros tejidos, y pinceladas ocasionales de rosa v&iacute;vido, y un estampado que insin&uacute;a un p&aacute;jaro en vuelo, con sus alas extendidas. &ldquo;Hoy d&iacute;a, todo armoniza&rdquo;, dice, &ldquo;as&iacute; que con esta colecci&oacute;n quer&iacute;a crear una divisi&oacute;n clara, y reafirmar los verdaderos c&oacute;digos de la alta costura, que son sofisticaci&oacute;n, excentricidad y singularidad&rdquo;. Esta &uacute;ltima podr&iacute;a parecer un elemento sorpresa en una est&eacute;tica famosa por su sofisticaci&oacute;n&nbsp;y elegante restricci&oacute;n, pero es, aun as&iacute;, el ingrediente clave del estilo Armani (el cual puede explicar la presencia de un gorila enorme en la sala del se&ntilde;or Armani, ubicado en el segundo piso de su palacio en Mil&aacute;n, un modelo del estudio cinematogr&aacute;fico por la ma&ntilde;ana al cual le dio asilo). Como el dise&ntilde;ador mismo observa, la claridad de su enfoque visual es &lsquo;inflada&rsquo; con &ldquo;un toque de modernidad y sabidur&iacute;a&rdquo;. Agregadas a &eacute;stas se encuentran su imaginaci&oacute;n y el poder de los sue&ntilde;os.&ldquo;Mi familia era modesta con oportunidades modestas&rdquo;, asegura, &ldquo;as&iacute; que b&aacute;sicamente constru&iacute; un mundo para m&iacute;. Y por eso amo tanto este trabajo, porque me ha permitido edificar un mundo al cual nunca pertenec&iacute;, uno que vi en pel&iacute;culas y que le&iacute; en libros. Constru&iacute; mi propia manera de ser&rdquo;.Probablemente sorprendente para alguien quien dice no hablar ingl&eacute;s (aunque parece entender todo lo que digo durante nuestra conversaci&oacute;n, antes de la intervenci&oacute;n del int&eacute;rprete), el se&ntilde;or Armani es un gran fan&aacute;tico de los dramas brit&aacute;nicos de &eacute;poca, incluyendo Downton Abbey, Victoria y The Crown.&ldquo;Existe una representaci&oacute;n de un mundo y una manera de ser que amo mucho&rdquo;, afirma. &ldquo;S&oacute;lo una forma de vestirse para desayunar, otra para cenar, y ropas dependiendo de las diferentes circunstancias que se presenten durante el d&iacute;a. Pero actualmente, te pones algo por la ma&ntilde;ana, y s&oacute;lo te lo quitas cuando vas a dormir en la noche&rdquo;.Parece casi deseoso por un momento, como si contemplar este pasado ingl&eacute;s idealizado hubiera disminuido su usual cautela. Y le pregunto: &ldquo;&iquest;Qu&eacute; so&ntilde;aste ayer?&rdquo;.&ldquo;Fue un sue&ntilde;o horrible&rdquo;, dice. &ldquo;Me encontraba en Nueva York con personas inidentificadas, y en cierto punto gir&eacute; la cabeza y ya no estaban. Estoy perdido en Nueva York, en una tienda departamental que est&aacute; a punto de cerrar, llueve afuera y me siento muy angustiado y completamente abandonado.&ldquo;Es un sue&ntilde;o recurrente. Si se lo contara a un psicoanalista, dir&iacute;a: &lsquo;Tienes miedo a que la gente te abandone&rsquo;&rdquo;. Sonr&iacute;e y a&ntilde;ade: &ldquo;Afortunadamente despert&eacute; en mi hermosa habitaci&oacute;n&rdquo;.&ldquo;&iquest;Alguna vez has hecho psicoan&aacute;lisis?&rdquo;, le pregunto. &ldquo;&iexcl;Lo hice yo solo!&rdquo;, responde. Despu&eacute;s se despide asintiendo ligeramente la cabeza, y sus ojos &ndash;azul cielo, pero serios&ndash; vuelven a su siguiente tarea: los encantadores vestidos, y un sue&ntilde;o despierto de elegancia pura, donde la constante b&uacute;squeda por la perfecci&oacute;n ofrece la esperanza de conquistar todos y cada uno de los miedos de p&eacute;rdida.&nbsp;

Entrevista con el maestro

English

Spanish(español)

Bengali(বাঙালি)

Gujarati(ગુજરાતી)

Hindi(हिन्दी)

Malayalam(മലയാളം)

Tamil(தமிழ்)

Telugu(తెలుగు)

Harper's Bazaar en Español

BAZAAR PERFUMES

Erosión de la tierra y FRAGILIDAD DE LA MEMORIA

Up close & PERSONAL

Habitar el TIEMPO

RECUERDOS DE DEAUVILLE

El centenario de un ICON DE LA ESCRITURA

El arte de reinventar A UN ICONO

Genialidad y VANGUARDIA

Presente y futuro de la moda

Cambiar para prosperar

1. You agree that the use of Magzter.com, the application and its services, are at solely at your own risk. Neither Magzter.com nor its associates nor employees nor third party content providers guarantee that the service will be completely uninterrupted or error-free or foolproof against miscreant activities. Nor do they warranty that you will get the exact results as expected or promised by the website or product.

11. THE SERVICE AND ALL PUBLICATIONS ARE PROVIDED ON AN 'AS IS' AND 'AS AVAILABLE' BASIS. MAGZTER, ITS AFFILIATES, SUPPLIERS, LICENSORS AND AGENTS EXPRESSLY DISCLAIM ALL WARRANTIES OF ANY KIND, WHETHER EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO THE IMPLIED WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NON-INFRINGEMENT. WITHOUT LIMITING THE FOREGOING, NEITHER MAGZTER NOR ITS AFFILIATES, SUPPLIERS, LICENSORS OR AGENTS, MAKES ANY WARRANTY THAT (I) THE SERVICE WILL MEET YOUR REQUIREMENTS, (II) THE SERVICE WILL BE UNINTERRUPTED, TIMELY, SECURE, OR ERROR-FREE, (III) THE INFORMATION THAT MAY BE OBTAINED FROM THE USE OF THE SERVICE OR THAT MAY BE CONTAINED IN THE PUBLICATIONS WILL BE ACCURATE OR RELIABLE, OR (IV) THE QUALITY OF ANY PUBLICATIONS OR THE SERVICE WILL MEET YOUR EXPECTATIONS. YOU ARE SOLELY RESPONSIBLE FOR OBTAINING AND MAINTAINING RELIABLE INTERNET CONNECTIVITY AND YOUR DEVICE. MAGZTER IS NOT RESPONSIBLE FOR YOUR INABILITY TO DOWNLOAD CONTENT. ANY MATERIAL DOWNLOADED OR OTHERWISE OBTAINED THROUGH THE USE OF THE SERVICE IS DONE AT YOUR OWN DISCRETION AND RISK AND YOU WILL BE SOLELY RESPONSIBLE FOR ANY DAMAGE TO YOUR COMPUTER SYSTEM OR MOBILE DEVICE OR LOSS OF DATA THAT RESULTS FROM THE DOWNLOAD OF ANY SUCH MATERIAL. NO ADVICE OR INFORMATION, WHETHER ORAL OR WRITTEN, OBTAINED BY YOU FROM MAGZTER OR THROUGH OR FROM THE SERVICE SHALL CREATE ANY WARRANTY.

2. You will maintain and promptly update that information to keep it true, accurate, current and complete. You are responsible for maintaining the confidentiality of your account and password and for restricting access to your computer, and you agree to accept responsibility for all activities that occur under your account, including the selection and use of all content and services.

2.You will maintain and promptly update that information to keep it true, accurate, current and complete. You are responsible for maintaining the confidentiality of your account and password and for restricting access to your computer, and you agree to accept responsibility for all activities that occur under your account, including the selection and use of all content and services.

3. In no event will Magzter.com or any person or entity or third party involved in the creation, production and distribution of the content on the website and the application be liable in contract or legally for any damages, including and not limited to, direct, indirect, incidental, special, and consequential incurred to you while or on using Magzter.com. By registering on the website or downloading the application, you agree that the provisions mentioned in this section shall apply to all use of and content on the website and the application.

3. Without prior written or authorised permission from Magzter, you should not modify, copy, distribute or sell any content obtained from Magzter as everything published here is the proprietary property of Magzter or its licensors. As such unauthorised use may also violate applicable laws including copyright and trademark laws, Magzter strictly prohibits these and will terminate your access and account if any such illegal activity is proved or detected. You should also stand liable for the damages caused by these unauthorised activities. Except as permitted by the Publication's lawful owner, you acknowledge that you do not acquire any ownership rights by downloading Publications accessed through the Service. Except as explicitly required under copyright law or permitted by the features of the Service you may not modify, reverse engineer, publish, transmit, display, participate in the transfer or sale, create derivative works of, or in any way commercially exploit or provide to a third party the content of the App, the Publications, or any portion of them without the express permission of Magzter and the owner of such content. We do not grant you any licenses, express or implied, to the intellectual property of Magzter or Magzter's licensors.

5. You specifically acknowledge that Magzter.com is not liable for any kind of defamatory or offensive or illegal conduct of other users or third parties or their content and that the risk of injury from the foregoing rests entirely with you.

8. Magzter reserves all rights to monitor the content published and inputted by you for the purpose of determining whether you are compliant with these terms and conditions and other operating rules determined by Magzter. Magzter has the right to take decisions about the content and delete them at its own will.

9. Magzter is a distributor and NOT a publisher of the Publications and so Magzter has no editorial control over the content, including opinions, advice, statements, services, offers etc., that is represented in the magazines. So Magzter will not take responsibility for the accuracy or the reliability for any information or facts provided therein or that is made available through the service, by anyone other than authorised Magzter employees who are acting on their official capacities. Accordingly, we have no editorial control over the Publications. Any opinions, advice, statements, services, offers or other information or content expressed or made available by third parties, including those made in Publications offered by the Service, are those of the respective author(s) or publisher(s) and not of Magzter. Magzter will not be liable for any loss or damage caused by your reliance on information obtained through the Service or from the Publications. The Service may contain links to other Internet sites and third-party resources and Magzter does not assume any responsibility or liability for communications or materials available at such linked sites. These links are provided for your convenience only. You are solely responsible for understanding any terms and conditions that may apply when you visit or place an order through a third-party site.

Choose your favorite titles from 40+ exciting categories

Details of the objectionable content, including its link on our platform

Download your favorite titles and read them offline, anytime and anywhere

Gift your loved ones with a Magzter Gift Card instantly and give them the freedom to read their favorite magazines and newspapers from thousands of best-selling titles.

Gift your loved ones with a Magzter Gift Card instantly and give them the freedom to read their favorite magazines from thousands of best-selling titles.

Gift your loved ones with a Magzter Gift Card instantly and give them the freedom to read their favorite magazines from {{magCount}} best-selling international titles.

Girish Ramdas is the Co-founder and CEO of Magzter, a New York based startup that has been making waves in the global digital publishing business. Magzter has crossed 80 million users since its inception in 2011 from more than 150+ countries with 1000s of magazines, newspapers and books from more than 4,500 publishers worldwide. He has more than 25 years of experience in cross-platform publishing, including print, mobile, and Web development. During this period, he has co-founded and run three successful start-up businesses. He has enabled magazine companies to go digital and helps them monetize their content across the digital world. Girish's deep industry experience in online, mobile and publishing ecosystems has made him an expert in acquisition, marketing and monetizing digital content across platforms globally.

In the event that you encounter any objectionable content on our platform, we have put in place a grievance redressal policy to address your concerns.

Magzter Inc. (“Company”, “we”, “us” or “our”) knows that you care about how your personal information is used and shared. Please read the following privacy policy (the “Policy”) to learn more about our privacy practices. By visiting any of the websites operated by the Company, and any sub-domains thereof, or using any of our mobile applications and other methods of content distribution (collectively, the “Service”), you acknowledge that you accept the practices and policies outlined in this Policy, and you hereby consent that we will collect, use, and share your information in the following ways.

Magzter Inc. is the World's largest and fastest growing self-service, cross-platform digital newsstand with over 80 million users since its inception in 2011 and thousands of magazines and newspapers across 40+ categories and 60+ languages. Headquartered in New York, Magzter has its local presence in Amsterdam, London, Mexico City, Chennai, Mumbai, New Delhi, Bengaluru, Singapore, and will soon be expanding to other countries. Founded by global entrepreneurs, Girish Ramdas and Vijay Radhakrishnan in June 2011, Magzter enables magazine and newspaper publishers around the world to create and deliver digital editions of their titles to global consumers.

Magzter is committed to providing a safe and secure platform for our users. Please note that Magzter is merely a platform for publishers to distribute their content. We do not control or endorse the content published on our platform. We cannot be held responsible for the actions of our publishers or their content.

Magzter is not responsible for compensating any party that has suffered damages or incurred costs due to any content, or part of the content, that violates their rights. Magzter is not liable to face any legal action in civil court for any violation of rights caused by any content, or part of the content, that infringes the rights of a third party.

Magzter offers the world’s largest {{allyoucanread}} subscription service called {{gold}} which gives digital readers unlimited access to 9,000+ magazines and newspapers for a monthly subscription price. Magzter also has the largest number of stories in the world with its game-changing ezRead 2.0 feature for its apps, which enables smartphone and small-screen mobile users to enjoy magazine content the way it was meant to be enjoyed, with article text that is easy to read and is accompanied by stunning videos and high resolution photography.

Magzter offers the world’s largest “All-You-Can-Read” subscription service called Magzter GOLD which gives digital readers unlimited access to 9,000+ magazines and newspapers for a monthly subscription price. Magzter also has the largest number of stories in the world with its game-changing ezRead 2.0 feature for its apps, which enables smartphone and small-screen mobile users to enjoy magazine content the way it was meant to be enjoyed, with article text that is easy to read and is accompanied by stunning videos and high resolution photography.

Name

Note: This will only share the cover and the publication information, but not the content.

Please fill out this form if you need any help regarding publishing your content on Magzter

Prior to Magzter, he was the President of Dot Com Infoway (DCI) and Galatta Media. His duties included strategic marketing, partnership development, and monetizing content globally. DCI grew from a small team of 3 in 2000 to 300 by 2011 and was dealing with web, software and app development for clients globally.

Since we launched, Magzter has been committed to partnering with global organizations to provide the greatest possible newsstand technology & service to our customers. Whether you are looking to offer magazine subscriptions to your customer database or just want to learn more, Magzter is committed to helping your business grow. To find out more, please fill out the questionnaire below:

The DMCA allows us to restore the removed content if the party filing the original DMCA Notice does not file a court action against you within ten business days of receiving the copy of your Counter Notice.

This Policy covers Company’s treatment of personally identifiable information (“Personal Information”) and other information about you and your computer or device that Company gathers when you are accessing the Service. We may collect Personal Information from you, as explained in more detail below, and we use this Personal Information internally in connection with our Services, including to personalize, provide, and improve our products, services, content, and advertising, and to allow you to set up a user account and profile, to contact you, to fulfill your requests for certain products and services, and to analyze how you use the Services. In certain cases, we may also share some Personal Information with third parties, but only as described in point 4.

This title is included with your Magzter GOLD subscription

To analyze the quality of content and provide appropriate feedback to publishers

We have designated a Grievance Officer to address any complaints related to objectionable content.

We request that any complaint related to objectionable content be sent to the Grievance Officer through email to the above-mentioned email address. We also request that you provide the following details when making a complaint:

and the App that provides you the capability to order, subscribe to and receive the delivery of various magazines, books, news and magazine and publication related content (collectively known as 'Publications') and to have these digital versions of the Publications delivered to you

c. We also collect information associated with your use of the application in order to make personalized recommendations. If you provide your third-party account credentials to us, you understand some content and/or information in those accounts (“Third Party Account Information”) may be transmitted into your account with us if you authorize such transmissions, and that Third Party Account Information transmitted to the Service is covered by this Policy.

f. The Personal Information we collect allows us to respond to your requests, improve our products and services, customize the advertising and content you see, and communicate with you about new products.

is the World's largest and fastest growing self-service, cross-platform digital newsstand with over 87 million users since its inception in 2011 and thousands of magazines and newspapers across 40+ categories and 60+ languages. Headquartered in New York, Magzter has its local presence in Amsterdam, London, Mexico City, Chennai, Mumbai, New Delhi, Bengaluru, Singapore, and will soon be expanding to other countries. Founded by global entrepreneurs, Girish Ramdas and Vijay Radhakrishnan in June 2011, Magzter enables magazine and newspaper publishers around the world to create and deliver digital editions of their titles to global consumers.

n. We will also use usage information in order to ensure users adhere to our Terms of Use. For example, a user’s usage information will help us confirm that a user only downloads a magazine or other content a permitted number of times or to a permitted number of devices.

which gives digital readers unlimited access to 9,000+ magazines and newspapers for a monthly subscription price. Magzter also has the largest number of stories in the world with its game-changing ezRead 2.0 feature for its apps, which enables smartphone and small-screen mobile users to enjoy magazine content the way it was meant to be enjoyed, with article text that is easy to read and is accompanied by stunning videos and high resolution photography.

{{magzter}} is the World's largest and fastest growing self-service, cross-platform digital newsstand with over 87 million users since its inception in 2011 and thousands of magazines and newspapers across 40+ categories and 60+ languages. Headquartered in New York, Magzter has its local presence in Amsterdam, London, Mexico City, Chennai, Mumbai, New Delhi, Bengaluru, Singapore, and will soon be expanding to other countries. Founded by global entrepreneurs, Girish Ramdas and Vijay Radhakrishnan in June 2011, Magzter enables magazine and newspaper publishers around the world to create and deliver digital editions of their titles to global consumers.