The Hayward Gallery had a show entitled ‘Among the Trees’, which you can enjoy as a virtual tour.
I have just finished reading Richard Powers’ The Overstory, themed around the possibility that trees can communicate, so it is appropriate that I am talking to Scarlett Woodman, whose work substantially features trees.
Using found items of old metal, she creates delicate images of branches and leaves. Whenever she is out and about, Scarlett will collect scrap items which are then stored in a stable block.
There are four separate rooms here: two are used as a gallery space and kept neat and tidy. Then there is the storeroom and finally the workspace. “I like having all my materials on display around me, by being constantly surrounded by them, ideas are continually developing and things seem to come together in a really organic manner.”
Scarlett has been in this studio for about five years. “I started using this space in my final year of university, when I was making more sculptural works using concrete, so I needed a lot of space where I could make a lot of mess,” she laughs.
Scarlett did a foundation course at the University for the Creative Arts (UCA) Canterbury, which she describes as “fantastic and just the most fun year.”
It was at UCA that she started painting on wood then corrugated iron, which eventually developed into what she does today.
She then went on to do a degree at Camberwell in London. “I studied painting, but as I was already drawn to using different materials, I actually ended up working with concrete, first using it within paintings and then more sculpturally.”
This story is from the July 2020 edition of Kent Life.
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This story is from the July 2020 edition of Kent Life.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
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