In Greta Gerwig’s directorial debut, home is a place to leave but not let go of.
Dave Matthews Band is generally not considered cool anymore. Almost certainly, it never was in the downtown New York world of which the actress and writer Greta Gerwig has become a cool-girl real-girl avatar in recent years.
But in a time and place (America’s vast, yearning middle-class suburbs, in the cultural desert of the Clinton and early Bush years) and to a certain kind of person (such as a teenager aching for the jazz-adjacent cred that jam-band fandom could provide but more comfortable with white ball caps and lacrosse than ponchos and hallucinogens), Dave Matthews Band was Bob Dylan in Greenwich Village in 1966. And so there is a crucial moment in Lady Bird, Gerwig’s solo directorial debut, in which the title character, a Sacramento high-school senior in 2003, confronts the cruelest heartbreak imaginable to her by blasting the band’s ballad “Crash Into Me”: “Sweet like candy to my soul / Sweet you rock and sweet you roll.” The result is both sympathetic, and very funny.“There was no other song it ever was going to be,” Gerwig said. “In preproduction, I realized I didn’t know what I was going to do if Dave said no [to its use]. I wrote him a letter. ‘Dear Mr. Dave Matthews … ’ ”
Gerwig was sitting at a small corner table near the window at Morandi in the West Village, not far from where she lives with the filmmaker Noah Baumbach. “I thought it was a really romantic song when I was a teenager. I would listen to it on repeat on a yellow CD player,” she said. “I couldn’t imagine a world in which a guy would feel that way about me.”
This story is from the October 30–November 12, 2017 edition of New York magazine.
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This story is from the October 30–November 12, 2017 edition of New York magazine.
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