OVER THE PAST few years, we’ve all become familiar with the doleful death notices for the hundreds of dive bars and diners and “beloved” dining institutions that have closed their doors around town. The closings continue, many of them quiet and not memorialized, though as the city begins its long, slow recovery from the great covid nightmare, we’ve noticed that here and there, as winter turns to spring, some of these former institutions have begun to come back to life. A new team of cooks will be trying their luck in the grandiose former Del Posto dining room this spring, and the slimmed-down version of the Gotham Bar and Grill, now called Gotham, has been doing a brisk neighborhood business on 12th Street, down in the Village, with new owners, the same maître d’ in the front of the house, and the former pastry chef running the kitchen.
Few of these revivals have been more successful or unexpected than that of the 1930s-era El Quijote, which served jugs of sangria and a roster of stolid Spanish classics for close to 90 years at the bottom of the Hotel Chelsea on 23rd Street before shut tering in 2018. Prior to its demise, generations of assorted crackpots and doomed geniuses lived above (Dylan Thomas; Hendrix and Joplin; Sid and Nancy, of course) and got famously blotto in the famous room with its glass etchings of giant lobsters and murals of Don Quijote on the walls, though if you’d wandered by during the depths of the lockdown, as I did, and peeped through the dark window at the stacks of chairs and the dusty, deserted bar, it would have felt as if you were looking back in time into the stateroom of a wrecked Spanish galleon.
This story is from the May 9-22, 2022 edition of New York magazine.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the May 9-22, 2022 edition of New York magazine.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
Trapped in Time
A woman relives the same day in a stunning Danish novel.
Polyphonic City
A SOFT, SHIMMERING beauty permeates the images of Mumbai that open Payal Kapadia's All We Imagine As Light. For all the nighttime bustle on display-the heave of people, the constant activity and chaos-Kapadia shoots with a flair for the illusory.
Lear at the Fountain of Youth
Kenneth Branagh's production is nipped, tucked, and facile.
A Belfast Lad Goes Home
After playing some iconic Americans, Anthony Boyle is a beloved IRA commander in a riveting new series about the Troubles.
The Pluck of the Irish
Artists from the Indiana-size island continue to dominate popular culture. Online, they've gained a rep as the \"good Europeans.\"
Houston's on Houston
The Corner Store is like an upscale chain for downtown scene-chasers.
A Brownstone That's Pink Inside
Artist Vivian Reiss's Murray Hill house of whimsy.
These Jeans Made Me Gay
The Citizens of Humanity Horseshoe pants complete my queer style.
Manic, STONED, Throttle, No Brakes
Less than six months after her Gagosian sölu show, the artist JAMIAN JULIANO-VILLAND lost her gallery and all her money and was preparing for an exhibition with two the biggest living American artists.
WHO EVER THOUGHT THAT BRIGHT PINK MEAT THAT LASTS FOR WEEKS WAS A GOOD IDEA?
Deli Meat Is Rotten