Targeting the ultrarich is actually pretty unifying.
The Democratic party’s leading lights—from Elizabeth Warren on the party’s left flank to Joe Biden on its right—are all telling versions of the same story: The American people are working hard, but their economy is hardly working. Payrolls may be expanding, but wage growth is too damn low, while the cost of health care is too damn high. Inequality is getting out of control, and the American Dream is growing out of reach. Diversity is our strength, bigotry is our weakness, and progress is our destiny. Yet when they describe the root of those problems, there is one question that bitterly divides them: Does their story of middle-class decline need a ruling-class villain?
Warren and Bernie Sanders say yes. In their account, the true name of our affliction isn’t inequality but oligarchy. It isn’t an impersonal, abstract force that’s immiserating working people—it’s an extractive economic elite. “How did we get here?” Warren asked rhetorically in her campaign-launch video. “Billionaires and big corporations decided they wanted more of the pie. And they enlisted politicians to cut them a fatter slice.”
This story is from the February 4, 2019 edition of New York magazine.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the February 4, 2019 edition of New York magazine.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
Trapped in Time
A woman relives the same day in a stunning Danish novel.
Polyphonic City
A SOFT, SHIMMERING beauty permeates the images of Mumbai that open Payal Kapadia's All We Imagine As Light. For all the nighttime bustle on display-the heave of people, the constant activity and chaos-Kapadia shoots with a flair for the illusory.
Lear at the Fountain of Youth
Kenneth Branagh's production is nipped, tucked, and facile.
A Belfast Lad Goes Home
After playing some iconic Americans, Anthony Boyle is a beloved IRA commander in a riveting new series about the Troubles.
The Pluck of the Irish
Artists from the Indiana-size island continue to dominate popular culture. Online, they've gained a rep as the \"good Europeans.\"
Houston's on Houston
The Corner Store is like an upscale chain for downtown scene-chasers.
A Brownstone That's Pink Inside
Artist Vivian Reiss's Murray Hill house of whimsy.
These Jeans Made Me Gay
The Citizens of Humanity Horseshoe pants complete my queer style.
Manic, STONED, Throttle, No Brakes
Less than six months after her Gagosian sölu show, the artist JAMIAN JULIANO-VILLAND lost her gallery and all her money and was preparing for an exhibition with two the biggest living American artists.
WHO EVER THOUGHT THAT BRIGHT PINK MEAT THAT LASTS FOR WEEKS WAS A GOOD IDEA?
Deli Meat Is Rotten