LEAVE THE WORLD BEHIND is out on October 6.
A LITTLE MORE THAN two years ago, the novelist and critic Rumaan Alam landed a job as the editor of special projects at The New York Times Book Review. It was a dream job—of course it was—and he pictured himself working at that hallowed institution for the rest of his career. But a few months into his tenure, he began to feel he was failing. Was he just not good enough to make it work? A troubling thought crept into his mind, one that had dogged him throughout his years working at prestigious New York media institutions: What if the Times had hired him not because it valued his mind but because it wanted to prove it cared about diversity? He was so disturbed by this possibility that he quit the job before the year was out.
This thought had haunted his life as a novelist as well. For as long as he had been a writer, Alam imagined that certain people, including editors and publishers, expected him to write about people he outwardly resembled. They didn’t say it outright, but he sometimes felt their faces or tones betrayed that they found him interesting less because of anything he said or wrote than because of where his parents happened to be from. This perception had partly shaped his first two novels, which he’d written from the perspectives of wealthy white women, a choice that felt to him like a quiet act of rebellion. The winter he left the Times, he secluded himself from his family in Brooklyn hotel rooms and poured his existential dread into his writing.
Denne historien er fra September 14 - 27, 2020-utgaven av New York magazine.
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Denne historien er fra September 14 - 27, 2020-utgaven av New York magazine.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Trapped in Time
A woman relives the same day in a stunning Danish novel.
Polyphonic City
A SOFT, SHIMMERING beauty permeates the images of Mumbai that open Payal Kapadia's All We Imagine As Light. For all the nighttime bustle on display-the heave of people, the constant activity and chaos-Kapadia shoots with a flair for the illusory.
Lear at the Fountain of Youth
Kenneth Branagh's production is nipped, tucked, and facile.
A Belfast Lad Goes Home
After playing some iconic Americans, Anthony Boyle is a beloved IRA commander in a riveting new series about the Troubles.
The Pluck of the Irish
Artists from the Indiana-size island continue to dominate popular culture. Online, they've gained a rep as the \"good Europeans.\"
Houston's on Houston
The Corner Store is like an upscale chain for downtown scene-chasers.
A Brownstone That's Pink Inside
Artist Vivian Reiss's Murray Hill house of whimsy.
These Jeans Made Me Gay
The Citizens of Humanity Horseshoe pants complete my queer style.
Manic, STONED, Throttle, No Brakes
Less than six months after her Gagosian sölu show, the artist JAMIAN JULIANO-VILLAND lost her gallery and all her money and was preparing for an exhibition with two the biggest living American artists.
WHO EVER THOUGHT THAT BRIGHT PINK MEAT THAT LASTS FOR WEEKS WAS A GOOD IDEA?
Deli Meat Is Rotten