YOU KNOW DONALD JUDD’S WORK even if you don’t know you know it. Judd is to minimalism as Picasso is to Cubism. But unlike Cubism, which lives much more vibrantly inside museum walls than anywhere else in the world, minimalism quickly achieved exit velocity from the art world and took over … everything. Since the 1990s, endless streams of derivative decorators, designers, architects, less-is-more self-help gurus, Calvin Klein stores, landscape artists, furniture-makers, and corporate-office planners have owed many of their ideas to misunderstanding Judd’s notions of objects, space, material, and interior design, the built and lived-in environment. His wall sculptures became wall shelves, floating on the white space of generic HGTV-approved interiors and carefully layered with books and small sculptures. He is in everything from the buildings we live in and the furniture we sit on to our workspaces and iPhone design. Judd’s minimalism is the ubiquitous dark design energy of everyday modern life. Always there, even if you never consciously recognize it.
この記事は New York magazine の February 17 - March 1, 2020 版に掲載されています。
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この記事は New York magazine の February 17 - March 1, 2020 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
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