Control & Sequence
Future Music|December 2019
The lines between MIDI controllers, hardware sequencers and expressive instruments are increasingly blurring. Let’s look at some creative ways to get handson with gear in and out of the box
Control & Sequence

We spend a lot of time within these pages discussing the specific technology behind how we create sounds, whether that’s the capabilities of certain synth engines, the applications of assorted effect processors or the way we can shape samples or recorded material. But as much as these techniques are important, the way we physically interact with our technology is equally as influential in shaping how we create music.

Try, for example, making beats with an XOX-style step sequencer, MPC-style bank of playable pads and using a laptop’s mouse and keyboard. Even if you use the same source sounds and aim for similar stylistic results, chances are the ideas you come up with are likely to vary somewhat. While each of these techniques can, in theory, create broadly the same results, the expressiveness of finger-drumming on the MPC’s pads is likely to result in an altogether looser-feeling groove compared to the mechanised rhythms created by the step sequencer or precise edits shaped with a mouse and keyboard.

Even if we’re not always conscious of it, the manner in which we interact with our electronic instruments plays a major role in determining the type of sounds we create. Altering, subverting and advancing these techniques can be a great way to inspire fresh ideas.

CV, MIDI and much more

In the early days of electronic music making, there were effectively only two methods of controlling electronic instruments: via their inbuilt controls – usually an assortment of keyboards, pads, rotaries and sliders – or via an external control signal. With those earliest instruments, control signals would take the form of control voltage and gate signals. These electronic signals use voltage values to transmit pitch and parameter information as well as on/off gate triggers, which could be used to trigger envelopes, sync internal clocks and more.

This story is from the December 2019 edition of Future Music.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.

This story is from the December 2019 edition of Future Music.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.

MORE STORIES FROM FUTURE MUSICView All
SONIC DESTRUCTION
Future Music

SONIC DESTRUCTION

From overdriven signal paths to rhythmic malfunctions, there’s plenty of creativity to be found by doing things just a little bit wrong

time-read
10+ mins  |
Autumn 2021
Feed Me
Future Music

Feed Me

EDM producer Jon Gooch revives his cartoonish Feed Me moniker. Danny Turner finds out how the use of live instrumentation changed his production approach

time-read
10+ mins  |
Autumn 2021
Exploring Akai MPC
Future Music

Exploring Akai MPC

Leo Maymind takes a detailed look at an iconic groovebox whose influence helped shape modern hip-hop and much more besides

time-read
8 mins  |
Autumn 2021
Liars
Future Music

Liars

Dissolving the contours of rock and electronics, Danny Turner charts the making of Liars’ 10th album with Angus Andrew and Laurence Pike

time-read
10+ mins  |
Autumn 2021
Jean-Michel Jarre
Future Music

Jean-Michel Jarre

The pioneering musician who introduced generations to futuristic sounds the first time around is at it again. He joins Matt Mullen to talk experiments in VR gigging, spatial audio and more...

time-read
10 mins  |
Autumn 2021
Noise
Future Music

Noise

With roots as far back as 1913, noise is the genre that’s also a state of mind

time-read
4 mins  |
Autumn 2021
1010 Music Bitbox mk2 £549
Future Music

1010 Music Bitbox mk2 £549

Rob Redman finds out whether this updated sampler box of tricks contains any more surprises

time-read
3 mins  |
Autumn 2021
Erica Synths and Sonic Potions LXR-02 £499
Future Music

Erica Synths and Sonic Potions LXR-02 £499

Rob Redman braces himself for another resurrected blast from the past

time-read
6 mins  |
Autumn 2021
Modal SKULPTsynth SE £169
Future Music

Modal SKULPTsynth SE £169

Modal are back with an update to their SKULPT synth. Bruce Aisher takes a listen to see if it can rustle up a big sound

time-read
3 mins  |
Autumn 2021
Reason Studios Reason 12 £399
Future Music

Reason Studios Reason 12 £399

Now in both DAW and plugin realms, Reason gains a sampler and refreshed Combinator. Si Truss investigates

time-read
3 mins  |
Autumn 2021