After storming international singles charts with the back-to-back pop house bangers Horny and Sexbomb, producer Mousse T. – aka Mustafa Gundogdu – had a choice to make. Follow up that global success immediately with more of the same. Or wait three years to release an album of downtempo funk, big band, reggae, and trip-hop – with an undercover policeman on bass, porno samples, and a Fine Young Cannibals cover version. Needless to say his distributers had hoped for the former, and he delivered the latter.
“After the success of Horny they wanted 13 more tracks just like that,” says Mousse. “I tried! But I never played them to anyone because I was really feeling ashamed. I said, ‘I can’t just keep copying myself, and just doing this... formula’.”
Instead, he rebuilt Horny and Sexbomb as ‘swing’ and ‘jazz’ versions, to form the start of a wild and wonderful artist album that represented him, his inspirations, and his record collection.
“I wanted people to know there was a little world behind Mousse T,” he says. “I wanted to move away from the whole house music and dancefloor thing, and just have a playground, basically. Which, for me, was the funk and soul music I loved.”
Ignoring all his commercial club house instincts, he broke out his vintage keyboards, assembled a crew of musicians and vocalists, and looped up any groovy samples he could find in his crates, or tucked away on 2” tapes from previous projects, and set to work.
Diese Geschichte stammt aus der September 2020-Ausgabe von Future Music.
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Diese Geschichte stammt aus der September 2020-Ausgabe von Future Music.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
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