IF THERE WERE an award for the most active guitar player over the past year or so, it might just belong to Dream Theater virtuoso John Petrucci. His second solo album (Terminal Velocity) arrived in 2020, some 15 years after his debut, and now he’s ready to unveil the third Liquid Tension Experiment album (Liquid Tension Experiment 3), which arrives 22 years after its predecessor and features Tony Levin, Mike Portnoy, Jordan Rudess and, of course, Petrucci. Clearly, good things come to those who wait.
You’ve definitely been keeping busy during the lockdown.
Getting my solo album and the new LTE done silences 10 years’ worth of requests asking me to do them. I finally did those two things! [Laughs] But one aspect that hasn’t changed is the gear. I’m working on the new Dream Theater album right now, and it’s the exact same setup. It’s my Purple Nebula Majesty by Music Man, plus my Majesty seven-string, through my JP-2C Boogie. I plug in and it just sounds the way I want it to sound. There’s no searching, it’s right there. All of us guitar players are looking to find that feel and that sound, from every tiny little detail like the fret height on your guitar to the gain setting on your amp. It all means something. So when you are fortunate to have developed gear through Ernie Ball Music Man, Mesa, Dunlop and DiMarzio, why would you use anything else?
“Key to the Imagination” has some really interesting combinations of Phrygian dominant and diminished runs.
Diese Geschichte stammt aus der August 2021-Ausgabe von Guitar World.
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Diese Geschichte stammt aus der August 2021-Ausgabe von Guitar World.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
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Kittie - Guitarists Morgan Lander and Tara Mcleod discuss the canadian metal powerhouse's unexpected rebirth — by fire!
Guitarists Morgan Lander and Tara McLeod explain that making new music was “not on their bingo card” when the band regrouped in 2022 for a few festival appearances, preferring to think of the sets as more of a “final lap” than a new beginning. But drilling into old favorites — whether the nu-flavored teenage slams of 1999’s Spit or the more venomously groove-thrashed tunes of their late-’00s period — revealed that despite not having raged together in years, there was something undeniably special about Kittie’s musical connection. “Playing with these girls is like putting on an old pair of pants,” Lander says. “It’s very comfortable — and it looks good too.”
McKinley James - Why all you really need is a guitar, a drummer and some serious low-end six-string skills
Nashville-based blues rocker McKinley James came flying out of the gate in 2022 with his Dan Auerbachproduced EP, Still Standing By. His momentum screeched to a halt, however, when his keyboardist split, leaving only him and his drummer, Jason Smay (who also happens to be his father). “For a moment, I was like, ‘What are we going to do?” James says. “But then I thought, ‘Well, other bands have succeeded as a duo. Maybe we can, too.”
TC Electronic TC 2290P Dynamic Digital Delay
THE MID EIGHTIES was a golden age for digital delay, thanks to the proliferation of pro- and studio-quality rack effects units from Eventide, Korg, Lexicon, Roland and Yamaha.
Danelectro Doubleneck
WHEN I THINK back to the Seventies, the famously coined “Me” decade, it seems the only surefire way you could leave audiences awestruck was to strap on a doubleneck guitar.
CARLOS ALOMAR
The former David Bowie guitarist talks Young Americans, Station to Station and the Berlin Trilogy, plus recording (and co-writing) \"Fame\" with John Lennon
GEORGE TERRY
It turns out Eric Clapton's Seventies guitarist (and co-writer of \"Lay Down Sally\") also played on ABBA's \"Voulez-Vous.\" Below, he looks back on a decade-plus of E.C., Bee Gees, Diana Ross and more
FRANK MARINO
The Mahogany Rush frontman charts the band's Seventies lows and highs, plus SG's, pickups and how he was definitely not visited by the ghost of Jimi Hendrix
DEWAYNE "BLACKBYRD" MCKNIGHT
The jazz/funk/fusion veteran on his smooth segue from Herbie Hancock sideman to full-on Funkdaledic member -plus his '70s gear and what he learned from Shuggie Otis
PAT TRAVERS
The Canadian-born virtuoso discusses the rise and fall of the Pat Travers Band, witnessing the U.K. punk revolution and the riotous roots of \"Snortin' Whiskey\"
JOE PERRY
The iconic guitarist looks back on Aerosmith in the Seventies, the decade that literally made and temporarily broke apart those Bad Boys from Boston
