“I used [the Phenix 1954 Gibson Les Paul Custom] for the solo at the end of ‘Reckoner,’ ” Frampton says. “It’s all over the album, actually”
PETER FRAMPTON’S NEW album — brilliantly titled Frampton Forgets the Words — sees the British guitar legend tackling songs by Radiohead, Lenny Kravitz, George Harrison, and David Bowie, using his instrument to replace the well-known vocal melodies of the originals. As he explains, there’s an art to making the guitar talk. And he should know; it is, after all, what he’s been doing for decades.
One of the covers is “Isn’t It a Pity” from George Harrison’s All Things Must Pass, an album you played on. Harrison, along with Pete Drake, is sort of responsible — even indirectly — for introducing you to the talkbox.
That’s true. It’s on YouTube, actually, the audio from when Pete Drake put that tube into his mouth after setting it all up, and the pedal steel started singing to us. You can hear George talking and me laughing, I think. It was just jaw-dropping. When I first heard Stevie Wonder’s Music of My Mind, he was using The Bag, made by a company called Kustom, for background voices and ad-libs. I thought, “Now there’s a sound!” Then I heard Jeff Beck do a Beatles number [“She’s a Woman”] with it, and after that, I was sitting in front of Pete Drake at Abbey Road — and I see it. He completed the circle for me. And of course, the next thing out of my mouth was, ‘Where do I get one?’”
This story is from the July 2021 edition of Guitar World.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the July 2021 edition of Guitar World.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
Kittie - Guitarists Morgan Lander and Tara Mcleod discuss the canadian metal powerhouse's unexpected rebirth — by fire!
Guitarists Morgan Lander and Tara McLeod explain that making new music was “not on their bingo card” when the band regrouped in 2022 for a few festival appearances, preferring to think of the sets as more of a “final lap” than a new beginning. But drilling into old favorites — whether the nu-flavored teenage slams of 1999’s Spit or the more venomously groove-thrashed tunes of their late-’00s period — revealed that despite not having raged together in years, there was something undeniably special about Kittie’s musical connection. “Playing with these girls is like putting on an old pair of pants,” Lander says. “It’s very comfortable — and it looks good too.”
McKinley James - Why all you really need is a guitar, a drummer and some serious low-end six-string skills
Nashville-based blues rocker McKinley James came flying out of the gate in 2022 with his Dan Auerbachproduced EP, Still Standing By. His momentum screeched to a halt, however, when his keyboardist split, leaving only him and his drummer, Jason Smay (who also happens to be his father). “For a moment, I was like, ‘What are we going to do?” James says. “But then I thought, ‘Well, other bands have succeeded as a duo. Maybe we can, too.”
TC Electronic TC 2290P Dynamic Digital Delay
THE MID EIGHTIES was a golden age for digital delay, thanks to the proliferation of pro- and studio-quality rack effects units from Eventide, Korg, Lexicon, Roland and Yamaha.
Danelectro Doubleneck
WHEN I THINK back to the Seventies, the famously coined “Me” decade, it seems the only surefire way you could leave audiences awestruck was to strap on a doubleneck guitar.
CARLOS ALOMAR
The former David Bowie guitarist talks Young Americans, Station to Station and the Berlin Trilogy, plus recording (and co-writing) \"Fame\" with John Lennon
GEORGE TERRY
It turns out Eric Clapton's Seventies guitarist (and co-writer of \"Lay Down Sally\") also played on ABBA's \"Voulez-Vous.\" Below, he looks back on a decade-plus of E.C., Bee Gees, Diana Ross and more
FRANK MARINO
The Mahogany Rush frontman charts the band's Seventies lows and highs, plus SG's, pickups and how he was definitely not visited by the ghost of Jimi Hendrix
DEWAYNE "BLACKBYRD" MCKNIGHT
The jazz/funk/fusion veteran on his smooth segue from Herbie Hancock sideman to full-on Funkdaledic member -plus his '70s gear and what he learned from Shuggie Otis
PAT TRAVERS
The Canadian-born virtuoso discusses the rise and fall of the Pat Travers Band, witnessing the U.K. punk revolution and the riotous roots of \"Snortin' Whiskey\"
JOE PERRY
The iconic guitarist looks back on Aerosmith in the Seventies, the decade that literally made and temporarily broke apart those Bad Boys from Boston
