He’s one of the most powerful guitarists working today, with a soaring, soulfully expressive style that many believe places him among the greatest players ever. We talk to a modest master about technique and tone…
Andy Timmons is one of those guitarists who leaves other great players just shaking their heads. A hero of the late-80s shred revolution, Timmons’ playing has matured like a fine wine into a poised but formidable blend of virtuosity and pure, headlong self expression. He can ‘do’ flights of technical virtuosity but generally prefers to keep his powder dry until the perfect moment to let fly, tapping into gutsy emotion and free flowing ideas in a deeply instinctive way that at times recalls Jeff Beck’s approach but remains wholly his own voice. So what’s the secret? On the phone to his home in Texas, we caught Andy in the middle of his practice routine, which was an ideal time to talk about how he continues to hone his remarkable technique and the tonally nuanced gear he uses live and in the studio.
“I’m still recovering from a couple of weeks in south-east Asia,” Andy admits. “We released a new record [Theme From A Perfect World ] a couple of months ago and so we did about a three-week run in the States, had a week off and then went to south-east Asia and so we did Taiwan, Korea, China, Hong Kong and four nights in Tokyo – just long enough to get totally screwed up time-wise! So I’m just getting a practice routine going, y’know?”
This story is from the February 2017 edition of Guitarist.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the February 2017 edition of Guitarist.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
QUICK CHANGE
As Gibson finally adds some Quick Connect pickups to its Pickup Shop line-up, Dave Burrluck revisits this simple no-solder method to mod your Modern guitar
Return Of The Rack
A revered rackmount digital delay makes a welcome comeback in pedal form.
Pure Filth
This all-analogue preamp pedal based on Blues Saraceno's amp is a flexible powerhouse with a variety of roles.
Reptile Royalty
From Queen to King - there's another Electro-Harmonix royal vying for the crown of octave distortion
Tradition Revisited
Line 6 refreshes its Helix-based modelling amp range by doubling the number of available amp voicings - and more
Ramble On
Furch's travel guitar folds down so you can transport it in its own custom backpack and, the company claims, it returns to pitch when you reassemble it. Innovation or gimmick?
Redrawing The 'Bird
A fascinating reimagining of one of Gibson's more out-there designs, the Gravitas sticks with vintage vibe and mojo. Oh, and that sound...
1965 Fender Jazz Bass
\"They made them later on, but it's not something I've ever seen this early.
Boss Cube Street II
Regular readers will know that the last time I took the Boss Cube Street II out, I was in rehearsal for a debut gig in London.
STILL CRAZY
One of the most creative yet reliably great-sounding effects makers out there, Crazy Tube Circuits grew out of a fetish for old valve amps. We meet founder Christos Ntaifotis to find out more