Hughes & Kettner’s hugely successful Tube Meister range was topped a couple of years ago with the Grand Meister Deluxe 40 head, which added full digital control together with built-in effects and more. At the time, we wondered if there was anywhere left to go, but we weren’t kept waiting for long before Hughes & Kettner introduced the Black Spirit 200 head, essentially a rework of the valve-powered GrandMeister Deluxe on a solid-state platform. The Black Spirit 200 brought stunning analogue tone from Hughes & Kettner’s breakthrough Spirit Tone Generator circuit, not to mention greater portability and consistent nightafter-night performance. Now Hughes & Kettner has added a new floor version that combines the head with an integrated FSM-432 MIDI controller, and called it, unsurprisingly, the Black Spirit 200 Floor.
Because of its similarity to other modellers and multi-effects floor boards, it’s important to point out the Black Spirit 200 Floor is neither of these things. It has a digitally controlled analogue solid-state preamp that Hughes & Kettner calls the Bionic Spirit Tone Generator, featuring four channels – Clean, Crunch, Lead and Ultra. This preamp is teamed with high-quality onboard digital effects and a Class D output stage producing a whopping 200 watts into a pair of speaker outlets, with switchable attenuation down to 20 and two watts. There’s also an integrated Red Box cabinet simulator with eight selectable cabinet types, two ‘pre’ effects loops that sit in front of the main preamp signal shaping, and one regular series effects loop.
This story is from the February 2020 edition of Guitarist.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the February 2020 edition of Guitarist.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
QUICK CHANGE
As Gibson finally adds some Quick Connect pickups to its Pickup Shop line-up, Dave Burrluck revisits this simple no-solder method to mod your Modern guitar
Return Of The Rack
A revered rackmount digital delay makes a welcome comeback in pedal form.
Pure Filth
This all-analogue preamp pedal based on Blues Saraceno's amp is a flexible powerhouse with a variety of roles.
Reptile Royalty
From Queen to King - there's another Electro-Harmonix royal vying for the crown of octave distortion
Tradition Revisited
Line 6 refreshes its Helix-based modelling amp range by doubling the number of available amp voicings - and more
Ramble On
Furch's travel guitar folds down so you can transport it in its own custom backpack and, the company claims, it returns to pitch when you reassemble it. Innovation or gimmick?
Redrawing The 'Bird
A fascinating reimagining of one of Gibson's more out-there designs, the Gravitas sticks with vintage vibe and mojo. Oh, and that sound...
1965 Fender Jazz Bass
\"They made them later on, but it's not something I've ever seen this early.
Boss Cube Street II
Regular readers will know that the last time I took the Boss Cube Street II out, I was in rehearsal for a debut gig in London.
STILL CRAZY
One of the most creative yet reliably great-sounding effects makers out there, Crazy Tube Circuits grew out of a fetish for old valve amps. We meet founder Christos Ntaifotis to find out more