The singer-songwriter reflects on backstage cuisine and how finding the correct earplugs changed her life…
What was the first gig you played and how did it go?
“The first gig ever I booked for myself when I was just 16 turning 17. I started playing guitar and writing songs at about 15 and a year later I wanted to put a gig on. I don’t know what had made me want to do the show; it was compulsion to share what I’d written. They said that because I was underage I could go into one of their back rooms and take just a few friends in there at seven o’clock or six or something. One of my friends, Siobahn, worked at the local woollen mill and she worked with King Creosote, aka Kenny Anderson, who was working in the woollen mill as well. He ended up coming along and pretty much at the end of that gig asked me to join his band. So it went extremely well and I ended up jumping into touring straight away because they were driving around Scotland in a van. It was like following the white rabbit, that one, and absolutely down the rabbit hole into a completely different life.”
Describe your current stage rig…
“I’m currently lucky enough to be touring with a band, so I don’t really need to have my big loop pedal-rig set up when I’ve got a band. I just use the loop pedal and not all the other shenanigans that I usually use. I’m playing Supro electrics and my old Gibson acoustic, swapping out for a Taylor acoustic and I’ve got a fantastic combo, a Supro Statesman, and also the Supro drive and tremolo pedals. The combo sounds superb – they’ve really got it going on with their combos.”
What’s on your rider?
This story is from the February 2019 edition of Guitarist.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the February 2019 edition of Guitarist.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
QUICK CHANGE
As Gibson finally adds some Quick Connect pickups to its Pickup Shop line-up, Dave Burrluck revisits this simple no-solder method to mod your Modern guitar
Return Of The Rack
A revered rackmount digital delay makes a welcome comeback in pedal form.
Pure Filth
This all-analogue preamp pedal based on Blues Saraceno's amp is a flexible powerhouse with a variety of roles.
Reptile Royalty
From Queen to King - there's another Electro-Harmonix royal vying for the crown of octave distortion
Tradition Revisited
Line 6 refreshes its Helix-based modelling amp range by doubling the number of available amp voicings - and more
Ramble On
Furch's travel guitar folds down so you can transport it in its own custom backpack and, the company claims, it returns to pitch when you reassemble it. Innovation or gimmick?
Redrawing The 'Bird
A fascinating reimagining of one of Gibson's more out-there designs, the Gravitas sticks with vintage vibe and mojo. Oh, and that sound...
1965 Fender Jazz Bass
\"They made them later on, but it's not something I've ever seen this early.
Boss Cube Street II
Regular readers will know that the last time I took the Boss Cube Street II out, I was in rehearsal for a debut gig in London.
STILL CRAZY
One of the most creative yet reliably great-sounding effects makers out there, Crazy Tube Circuits grew out of a fetish for old valve amps. We meet founder Christos Ntaifotis to find out more