As far as its instruments go, Gibson is enjoying a renaissance. The new leadership team hit the ground running with the initial reorganisation and focus of its mainstream USA Production line into Original and Modern Collections devoid of the annual specification changes that confused and annoyed us in equal measure. The smaller output, higher dollar Custom Shop has seen similar focus, which, as of the start of this year, now has this new vintage-aimed strand, the Murphy Lab, named after Tom Murphy who instigated its creation back in 2019.
“Tom Murphy came to me with a guitar case – which he’d aged, by the way, so it looked like a 50s Lifton case,” begins Cesar Gueikian, Gibson’s brand president. “I opened the case and picked up the guitar. We have been working with a lot of originals from different collections – including my own – with Tom and looking at lots of guitars Tom had done in the past. I had no reason not to think it was one of those originals. I picked it up and said, ‘This is amazing, it’s great.’ The binding had all been rolled from playing, the checking on the lacquer, the ageing, the bracelets, the buckle rash… amazing! So I asked him, ‘Whose ’59 is it? Is it for sale?’ He then proceeded to tell me, ‘No, I just made this guitar and I wanted you to see it.’ I told him, ‘This is the future of ageing: you’ve stepped it up now. We’ve gotta go here.’ That was when we started to create the idea for the Murphy Lab.”
Tom Murphy needs no introduction. His pioneering ageing techniques have created many old-looking new Gibson guitars over the years and he helped create what we now know as the Gibson Custom Shop back in the 90s. Today’s Murphy Lab is a “restricted area”, we’re told by Cesar, that resides within the Custom Shop.
This story is from the August 2021 edition of Guitarist.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the August 2021 edition of Guitarist.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
QUICK CHANGE
As Gibson finally adds some Quick Connect pickups to its Pickup Shop line-up, Dave Burrluck revisits this simple no-solder method to mod your Modern guitar
Return Of The Rack
A revered rackmount digital delay makes a welcome comeback in pedal form.
Pure Filth
This all-analogue preamp pedal based on Blues Saraceno's amp is a flexible powerhouse with a variety of roles.
Reptile Royalty
From Queen to King - there's another Electro-Harmonix royal vying for the crown of octave distortion
Tradition Revisited
Line 6 refreshes its Helix-based modelling amp range by doubling the number of available amp voicings - and more
Ramble On
Furch's travel guitar folds down so you can transport it in its own custom backpack and, the company claims, it returns to pitch when you reassemble it. Innovation or gimmick?
Redrawing The 'Bird
A fascinating reimagining of one of Gibson's more out-there designs, the Gravitas sticks with vintage vibe and mojo. Oh, and that sound...
1965 Fender Jazz Bass
\"They made them later on, but it's not something I've ever seen this early.
Boss Cube Street II
Regular readers will know that the last time I took the Boss Cube Street II out, I was in rehearsal for a debut gig in London.
STILL CRAZY
One of the most creative yet reliably great-sounding effects makers out there, Crazy Tube Circuits grew out of a fetish for old valve amps. We meet founder Christos Ntaifotis to find out more