Adam Goldsmith adds a few more tips to this issue’s feature, pertinent for the jobbing musician
When I heard about the theme of this issue’s big feature – ‘100 Ways To Be A Better Guitarist’ – it got me thinking. There are obviously many different types of guitarist, which would mean one man’s essential Ibanez Jem 777 is not necessarily the thing needed for another man’s Sunday-night folk-jam at the Whistle and Ferret.
However, for this column, I’ll look at what’s essential for a jobbing studio musician. Unfortunately for me, I often have to separate my enthusiasm for vintage guitars (I am currently eyeing up a highly ‘essential’ refinished 1963 Strat) from guitars that are 100 per cent reliable in every way. After all, if someone is paying £3,000 a day for Abbey Road Studio 2, they don’t want to have to wait for me to retune the tuning peg on the E string of the original lute from Henry VIII’s drawing room for the 50th time…
هذه القصة مأخوذة من طبعة February 2018 من Guitarist.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
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هذه القصة مأخوذة من طبعة February 2018 من Guitarist.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
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