There has never been another band quite like Rush, who formed in 1968 and blew people's minds worldwide for the next 47 years. An intellectual trio of master musicians who delivered high-fantasy flights of fancy in the 70s, ascended synth-and riffheavy commercial heights in the 80s and settled neatly into classic rock iconhood in the 90s, they represented the ultimate triumph of mind over marketing. With a very Canadian reputation for polite eccentricity, the trio - Geddy Lee (vocals, bass and keyboards), Alex Lifeson (guitar) and Neil Peart (drums) - should, by rights, have never made it big, but in fact they were huge, especially at the triumphant back end of their careers, when they played arena tours worldwide.
If you caught them on one of those dates, you'll recall the staggering scale of both the production and the songs. Even as a mere trio, Rush made planet-sized music, with Lee steering the show through their big hits Tom Sawyer, YYZ, Limelight and The Spirit Of Radio with a benevolent smile, uttering batlike vocals of extraordinarily high frequency: famously, US alt-rockers Pavement saw fit to discuss his unique pipes in their 1997 song Stereo.
If you never saw Rush live, you're out of luck, because they ceased touring in 2015 and Peart died at the age of 67 five years later, to the widespread shock and grief of the group's enormous fanbase. This marked the end of Rush as we knew it: more than just a rock drummer, Peart was a deep thinker and lyricist who had suffered the losses of his first wife and daughter, causing him to step away from Rush from 1998 to 2002.
This story is from the February 2024 edition of Record Collector.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the February 2024 edition of Record Collector.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
Paperback Blighters - The books every record collector should read.
The books every record collector should read. Vinyl, you may have heard, has made a big comeback. In 2022, sales of vinyl albums surpassed compact discs (CDs) for the first time in more than three decades in terms of global revenue, racking up more than $1.2bn.
"Beware the Savage Lure/of 1984..." - David Bowie is one of the most venerated musicians ever. But even he had his bad periods.
David Bowie is one of the most venerated musicians ever. But even he had his bad periods. For many, 1984 remains the nadir of his Phil Collins” phase; an artistic/sartonial/tonsorial disaster area. But was it really that awful? Forty years on, Matt Phillips explores Bowie's so-called annus horribilis.
7" Heaven & Hell the Story of the 45 - The 45 turns 75 this year. Matthew Quinlan charts its history, recalling the RPM wars and two belligerent titans who went into battle over the speed of spinning sound
Someone needs to come and empty the bins behind the Lloyds Bank branch in Kingston-upon-Thames. It’s been raining and flattened cardboard slumps next to a flytipped air conditioning unit and a rusting clothes rack. There are two signs at head height on the red brick wall. One warns that you’ll be clamped if you park here; the other, a stainless-steel plaque, marks Nipper’s 100th birthday. Nipper, the dog at the heart of the HMV and RCA Victor logos, was a white terrier with chocolate brown ears, maybe a Jack Russell, Smooth Fox, or Bull Terrier, more likely a mix. This is his final resting place. He was buried under a mulberry tree but, you know, urban sprawl, progress, etc. The plaque was unveiled by the Chairman of HMV Stores on 15 August 1984, while Captain Sensible, Janice Long, and a Nipper doppelganger looked on. Round the corner, at HMV and Our Price, George Michael’s Careless Whisper was flying off the shelves, and every copy turned at 45 RPM.
STARS ON 45s
A BUNCH OF MUSICIANS - 45, COUNT 'EM! RHAPSODISE ABOUT THEIR FAVOURITE SINGLE
THE TORTURED SHOPPER'S DEPARTMENT
John Coleman celebrates the great art of vinyl collecting on the 45th Anniversary of Record Collector and finds out, in an exhausting series of anxietyinducing sprees, how much vinyl you can buy today, ina variety of outlets, with 45.
Young American
A serendipitous collaboration with David Bowie in 1974 kick-started Luther Vandross' recording career. But he still faced an uphill struggle to succeed as a solo artist. Charles Waring talks to some of the singer's most trusted collaborators about his early years and how he battled to be heard....
MOD ALMIGHTY
Steve Ellis began his career as a mod in flower-power clobber as frontman of chart-toppers Love Affair. Quitting in 1970, he worked with The Who's Roger Daltrey then gave up music to become a docker before a near-death experience. Interest in his work was rekindled after hooking up with long-time fan Paul Weller. Lois Wilson hears how his romance with music endures.
ANARCHISTS IN THE UK
EXACTLY 45 YEARS AGO, CRASS, THE ANARCHIST ACTIVIST COLLECTIVE, WERE FINISHING PIVOTAL SECOND ALBUM, STATIONS OF THE CRASS.
The boy with the thorn in his side
David Cassidy was arguably the biggest solo star of the immediate post-Beatles era, yet his fame as well as his boyish good looks and extracurricular excessesovershadow the excellence of his breathily intimate, musically accomplished records. Simon Goddard, RC contributor and author of an acclaimed series of books on David Bowie, hails the work of the tortured pop idol
"I COULD JUST THROW MUD AT THE WALL"
There's little sign of slowing down from the 19-year-old Pete Townshend. Currently on the go: multi-media project The Age Of Anxiety; a dance production of Quadrophenia; and Pete Townshend Live In Concert 1985-2001, a 14-disc boxset of his solo in-concert recordings. Not, he admits, that his every whim and fancy are worth deeper exploration. \"Some of them are good ideas, some of them are pretty dumb,\"
