<div style="page-break-before:always; page-break-after:always"><div style="page-break-before:always; page-break-after:always">LIVING WITH A SECRET IS HARD, BUT ADD IN SYSTEMIC RACISM AND cultural oppression, and the weight of that secret increases. Netflix&rsquo;s Passing (November 10) shows how two friends in 1920s New York City, Irene (played by Tessa Thompson) and Clare (Ruth Negga), grapple with the reality of racial passing in a segregated world. &ldquo;I&rsquo;m still haunted by it,&rdquo; Thompson says about the Nella Larsen novella the fi lm is based on and the script writer/ director Rebecca Hall wrote. &ldquo;One of the compelling things about playing Irene was to play a dissatisfied woman. I think we exist, no matter the time, inside of systems that don&rsquo;t allow us to be the full, most authentic versions of ourselves.&rdquo; Part of changing the narrative of how stories like Passing are told is who gets to tell them. Hall&rsquo;s script comes from a very personal place. &ldquo;She was contending with her own history and legacy of passing in her family. She had skin in the game, so to speak.&rdquo; Even the fi lm being shot in black and white helps send its message home. &ldquo;We&rsquo;re shooting in a style you&rsquo;ve seen in Hollywood, but not with protagonists like myself and Ruth.&rdquo;<div style="page-break-before:always; page-break-after:always">What attracted you to this story?[Hall) is an actor that I&#39;ve long admired, so I was really curious to see her behind the camera. And I&#39;ve been such a fan of Ruth&#39;s and thought it would be a tremendous delight and joy to play opposite her.What was that like working with first-time director Rebecca Hall?She came in one of the most prepared directors I&#39;ve ever worked with in terms of real clarity of vision. Especially because I was playing a character with so much restraint, there&#39;s so much she doesn&#39;t say or express. It was freeing to know that there was a visual landscape that Rebecca created to express the inward thoughts of my work.In what ways does the film resonate with modern day?It&#39;s so deeply relevant. There&#39;s such modernity to it. Irene says that we&#39;re all passing for one thing or another. There were women who were suffocated by domesticity that have to pass, queer folks that pass, all those things were happening in the 1920s and that still happen now.Can you talk a little about your look at the most recent Met Gala?My [cowboy] hat was a nod to Americana. It was covered with box braids, which is a protective style for Black women, who make so many contributions to the beauty and fashion space and are often exploited in those spaces.

Parting Shot &ndash; Tessa Thompson

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is the World's largest and fastest growing self-service, cross-platform digital newsstand with over 87 million users since its inception in 2011 and thousands of magazines and newspapers across 40+ categories and 60+ languages. Headquartered in New York, Magzter has its local presence in Amsterdam, London, Mexico City, Chennai, Mumbai, New Delhi, Bengaluru, Singapore, and will soon be expanding to other countries. Founded by global entrepreneurs, Girish Ramdas and Vijay Radhakrishnan in June 2011, Magzter enables magazine and newspaper publishers around the world to create and deliver digital editions of their titles to global consumers.

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{{magzter}} is the World's largest and fastest growing self-service, cross-platform digital newsstand with over 87 million users since its inception in 2011 and thousands of magazines and newspapers across 40+ categories and 60+ languages. Headquartered in New York, Magzter has its local presence in Amsterdam, London, Mexico City, Chennai, Mumbai, New Delhi, Bengaluru, Singapore, and will soon be expanding to other countries. Founded by global entrepreneurs, Girish Ramdas and Vijay Radhakrishnan in June 2011, Magzter enables magazine and newspaper publishers around the world to create and deliver digital editions of their titles to global consumers.