CM Naveen Patnaik’s ‘zero casualty’ hype was blown away as Cyclone Fani left a trail of tragedies.
Odisha takes pride in the disaster management measures it has put in place since the 1999 Super Cyclone and has earned praise from all quarters, including the United Nations. Even during Cyclone Fani, its latest disaster, the state government received a pat on the back from everyone—PM Narendra Modi to the New York Times—for the massive evacuation exercise that saw an estimated 14 lakh people moved from the coast to safer locations in the hours leading up to the cyclone.
But all preparatory measures taken over the years came a cropper as Fani pounded the Puri coast on the morning of May 3 with a wind speed of 200 kmph. As the storm left behind a trail of destruction on its way to Bangladesh, it demolished the cyclone-eve claim of ‘zero casualty’ made by the state government. By May 13, the cyclone toll had mounted to 64, including 39 in Puri district alone, and might rise further. Much the same had happened during Cyclone Titli last October—it too began with a ‘zero casualty’ claim and ended up with 77 deaths!
A reason for the high casualty figure this time was that the Category 4 cyclone kept changing its course and speed as it hurtled along the Bay of Bengal towards the coast, gathering speed every hour. This made tracking its course difficult and caught the authorities off-guard. “It certainly behaved abnormally in a sense, making tracking its course difficult,” says Sarat Sahu, director at the Centre for Environment and Climate of the Shiksha O’ Anusandhan University and former long-time director of the India Meteorological Department’s (IMD) Bhubaneswar centre.
“Cyclonic storms originating in the south of Sri Lanka on the equator in summer rarely intensify into major storms. When they do, they generally hit the Tamil Nadu-Andhra Pradesh coast and rarely head towards Odisha.”
This story is from the May 27, 2019 edition of Outlook.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the May 27, 2019 edition of Outlook.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
Layers Of Lear
Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold
Loss and Longing
Memories can be painful, but they also make life more meaningful
Suprabhatham Sub Judice
M.S. Subbulakshmi decided the fate of her memorials a long time ago
Fortress of Desire
A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort
Of Hope and Hopelessness
The body appears as light in Payal Kapadia's film
Ruptured Lives
A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles
The Big Book
The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha
How to Refuse the Generous Thief
The poet uses all the available arsenal in English to write the most anti-colonial poetry
The Freedom Compartment
#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers
Love, Up in the Clouds
Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee