In a country not comfortable with its own genes, fairness creams sell a lie to pander to a deep-seated self-loathing
First things first, in black and white—and all the greys. The science is as dubious as the sociology. the Indian market is flooded with fairness products. if all of them had made the promised effect, we’d have become a country of icelanders—close to realising again that old pop notion of the North Pole having been in India. “The truth should be out,” says Paras Jain, a Delhi law student, who is on the verge of securing a verdict that could forever change the way personal care products and fairness creams market themselves in India—even if attitudinal changes will take longer.
Depending on the verdict, the industry could still find grey areas to work around the law. But from an uncontrolled run, it has at least come to a pass where a willingness to question their claims—and the collective inferiority complex it panders to—is visible. Bollywood actor Abhay Deol unleashed a refreshing send-up of his colleagues just last week for endorsing fairness products. But the legal story began in 2013, when young Paras decided to take on the Rs 10,000-crore personal care giant, Emami Ltd. A two-and-a-half-year court battle awaited him, but he was firm on seeing it through.
Paras was goaded into this by his brother Nikhil’s experience with a product called Fair and Handsome. The fairness cream, which Nikhil believed would eventually make his skin tone lighter with diligent use, hadn’t made a whit of a difference in years. For a looks-conscious young adult, this naturally was cause for a great deal of frustration. But Paras, who had just been initiated into the world of torts and the Consumer Protection Act, saw more than a random failure. For him, this was a “seriously unfair trade practice”. How is it, he muttered to himself, that cosmetic companies get away with “lies, damn lies”.
This story is from the May 01, 2017 edition of Outlook.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the May 01, 2017 edition of Outlook.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
Layers Of Lear
Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold
Loss and Longing
Memories can be painful, but they also make life more meaningful
Suprabhatham Sub Judice
M.S. Subbulakshmi decided the fate of her memorials a long time ago
Fortress of Desire
A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort
Of Hope and Hopelessness
The body appears as light in Payal Kapadia's film
Ruptured Lives
A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles
The Big Book
The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha
How to Refuse the Generous Thief
The poet uses all the available arsenal in English to write the most anti-colonial poetry
The Freedom Compartment
#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers
Love, Up in the Clouds
Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee