Demonetisation is a dramatic Modistroke. And well-timed too, ahead of crucial polls.
It was barely a few hours before his address to the nation on November 8 that Prime Minister Narendra Modi took his cabinet colleagues into confidence about his dramatic decision to demonetise Rs 500 and Rs 1,000 currency notes. All senior cabinet ministers had been told to leave their mobile phones outside: it was in this secured environs that the prime minister shared his ambitious plan to curb black money and corruption with them, one that would be the talking point all over the country for days to come.
It was a momentous decision that sent shock waves down the whole system—as it was intended to do. The late evening announcement, and the narrow window offered before the order was to take effect, meant just about everybody was caught off-guard. Many wondered whether his move to bolster economy would pay off. But, in one fell swoop, Modi had sought to burnish his image as a decisive leader—a man given to big ideas and bold strokes— something that made him a hero of the middle class with a massive electoral mandate two-and-a-half years ago.
And this was an issue that resonated widely with that class. Not just that, there was some serious tactical leverage to be had beyond India’s urban centres and its black money hoards. Significantly, the initiative comes only a few months before crucial assembly polls in Uttar Pradesh and Punjab, where huge amounts of illicit funds are believed to be in circulation.
Sources close to the government let on that the demonetisation policy—pitched as a ‘surgical strike’ against black money, corruption, and fake currency notes that fund terror—was being evolved quietly for over six months. In hindsight, many of Modi’s colleagues in the party and government say there indeed had been straws in the wind about the ‘historic’ decision.
This story is from the November 21, 2016 edition of Outlook.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the November 21, 2016 edition of Outlook.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
Layers Of Lear
Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold
Loss and Longing
Memories can be painful, but they also make life more meaningful
Suprabhatham Sub Judice
M.S. Subbulakshmi decided the fate of her memorials a long time ago
Fortress of Desire
A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort
Of Hope and Hopelessness
The body appears as light in Payal Kapadia's film
Ruptured Lives
A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles
The Big Book
The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha
How to Refuse the Generous Thief
The poet uses all the available arsenal in English to write the most anti-colonial poetry
The Freedom Compartment
#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers
Love, Up in the Clouds
Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee