There is stiff, and bitter, opposition though. The BJP wants desperately to break its 21-year long jinx and get a shot at power in the national capital. For the Congress, which ruled Delhi for 15 years under Sheila Dikshit and justly claims to have begun its transformation, it’s a fight for relevance in a purana qila. And yet, this is about much more than Delhi. For, this is no ordinary three-sided electoral fight.
The politics and personality of Arvind Kejriwal—beaver-like, unputdownable, jack-in-the-box—is the X-factor that sets it apart. He and his party, AAP, form a long, inscrutable side in this triangle. They evoke devotion and cause exasperation. They mutate, but also stay identifiably the same. They often flatter to deceive—making a lot of noise and then seeming to suddenly vanish from the stage. But on accounting day they turn up again, with a long list on the credit side. That’s why this fight is about more than Delhi: it’s a novelty in Indian politics, and neither the BJP nor the Congress quite know how to go about it. Both covet Delhi the old way, purely as territory. They may or may not breach the fortress wall, but their politics still seems out of the traditional playbook. And AAP, despite getting its hands dirty in actual politics, somehow retains the sense of carrying a new idea.
This story is from the December 16, 2019 edition of Outlook.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the December 16, 2019 edition of Outlook.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
Layers Of Lear
Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold
Loss and Longing
Memories can be painful, but they also make life more meaningful
Suprabhatham Sub Judice
M.S. Subbulakshmi decided the fate of her memorials a long time ago
Fortress of Desire
A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort
Of Hope and Hopelessness
The body appears as light in Payal Kapadia's film
Ruptured Lives
A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles
The Big Book
The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha
How to Refuse the Generous Thief
The poet uses all the available arsenal in English to write the most anti-colonial poetry
The Freedom Compartment
#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers
Love, Up in the Clouds
Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee