A trauma is a physic wound that goes beyond the physical to damage the soul. It carries shades of stigma. It is usually confined to the backstage of most disasters and is constructed as an afterthought. The trauma of the coronavirus pandemic faces a similar fate.
As India sees itself as a middle-class society, it defines itself in middle-class terms. The whole idea of the lockdown was seen as a disciplinary exercise, an attempt to redefine life as a timetable. The middle-class lives by timetables. It is a mindset and a way of life. When timetables are frozen, the middle class goes into confinement and its certainties are destroyed. With the lockdown, the upper-middle-class discovers boredom, isolation, anxiety, leisure and, of course, work from home. Yet the middle-class mentality displayed a complete indifference to the marginal, the migrant, the nomad—and the trauma induced by the coronavirus begins with these very categories.
This story is from the April 20, 2020 edition of Outlook.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the April 20, 2020 edition of Outlook.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
Layers Of Lear
Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold
Loss and Longing
Memories can be painful, but they also make life more meaningful
Suprabhatham Sub Judice
M.S. Subbulakshmi decided the fate of her memorials a long time ago
Fortress of Desire
A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort
Of Hope and Hopelessness
The body appears as light in Payal Kapadia's film
Ruptured Lives
A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles
The Big Book
The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha
How to Refuse the Generous Thief
The poet uses all the available arsenal in English to write the most anti-colonial poetry
The Freedom Compartment
#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers
Love, Up in the Clouds
Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee