Kamalahaasan sails singly into the Lok Sabha scrum. Actor politicians are a fading lot in TN.
YOU can take away the politician from the actor but never the actor from the politician. Kamalahaasan, the latest entrant to the galaxy of actor turned politicians from Tamil Nadu, proved the Maxim on March 24. At a public meeting in Coimbatore where he released his party’s manifesto and its list of candidates for the Lok Sabha polls, the stage was Tshaped—the vertical part being a long ramp on to which the leader made his appearance.
As he walked the ramp, waving away at the large crowd, Kamal the star inhabited that cinematic moment with practised ease. The politician in him played out two hours later as he used the large screen on the backcloth to tear into the shortcomings’ of the BJP and AIADMK governments, terming even the DMK and the Congress as “products of unholy alliances”.
A year after he launched Makkal Needhi Maiam (MNM) and got the election symbol of ‘torch light’ allotted to it, Kamalahaasan has made a bold sally— taking on the two Dravidian majors and their alliances almost all alone. With only a small Dalit party and a farmer’s outfit for electoral company (in Andaman & Nicobar Islands, the MNM would sup port the Trinamool candidate), he has fielded candidates in all 39 Lok Sabha seats of the state and in the 18 assembly bypoll seats as well. In his election manifesto, Kamal has announced 50 per cent reservation for women in jobs, equal pay and large share of profit for farmers. Juxtaposed with Tamil Nadu’s biggest movie idol Rajnikant’s political modesty (After stating his intent to enter politics, Rajni is yet to announce his party’s name), Kamalahaasan’s chutzpah stands out. When you take this with his decision not to contest the Lok Sabha polls himself, the venture seems to be straining credulity.
This story is from the April 08, 2019 edition of Outlook.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the April 08, 2019 edition of Outlook.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
Layers Of Lear
Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold
Loss and Longing
Memories can be painful, but they also make life more meaningful
Suprabhatham Sub Judice
M.S. Subbulakshmi decided the fate of her memorials a long time ago
Fortress of Desire
A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort
Of Hope and Hopelessness
The body appears as light in Payal Kapadia's film
Ruptured Lives
A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles
The Big Book
The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha
How to Refuse the Generous Thief
The poet uses all the available arsenal in English to write the most anti-colonial poetry
The Freedom Compartment
#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers
Love, Up in the Clouds
Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee