THE failure of Yes Bank and the Reserve Bank of India’s consequent intervention has come as no surprise. The writing was on the wall for those who cared to read it, yet many, including the banking regulator and the government, failed to take timely action. “The RBI, as regulator, should have taken action against Yes Bank more than two years ago as it gave all indications of being in a bad financial position. Instead of taking over, the RBI kept telling the bank to correct itself,” says C.H. Venkatachalam, general secretary, All India Bank Employees’ Association, drawing parallels with United Western Bank and Global Trust Bank, both of which collapsed due to lack of timely action.
Emphasising that banking is a risky business and there will always be bad loans, Venkatachalam says that in the case of Yes Bank, the problem was compounded by the fact that it was not being run properly. “They were recklessly advancing loans instead of behaving like a responsible bank. Banks must take risks, but they were over-risking,” he says. “Yes Bank has been suffering various problems, including issues of divergence, non-disclosures, mounting bad loans, inadequate capital, inability to augment capital etc.”
Ashish Kajla of the Centre for Financial Accountability faults lack of clarity in the Yes Bank board’s functioning and the resignations of board members over the past two to three years. “Essentially, the question is of corporate governance and how far private sector banks are following the ethics of corporate governance. Often, public sector banks are said to fail on this front due to political and other pressures on them, but I think Yes Bank was definitely not compliant with corporate governance norms, as is evident in the divergence of NPAs either through non-reporting or misreporting continuously,” he says.
This story is from the March 23, 2020 edition of Outlook.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the March 23, 2020 edition of Outlook.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
Layers Of Lear
Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold
Loss and Longing
Memories can be painful, but they also make life more meaningful
Suprabhatham Sub Judice
M.S. Subbulakshmi decided the fate of her memorials a long time ago
Fortress of Desire
A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort
Of Hope and Hopelessness
The body appears as light in Payal Kapadia's film
Ruptured Lives
A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles
The Big Book
The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha
How to Refuse the Generous Thief
The poet uses all the available arsenal in English to write the most anti-colonial poetry
The Freedom Compartment
#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers
Love, Up in the Clouds
Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee