After an early start, I find myself wandering around Exeter city centre, with a few hours to kill before I'm due to meet Rosie Parsons at her studio. As I admire the city's charming cathedral, I'm contemplating how the concept of brand identity has changed over the decades.
If you were to travel back to the 1960s, although business marketing was still vital, a photographer working at a regional level could almost guarantee some degree of success catering for their community, depending on their skill level, of course. Today, the internet has opened up previously unimaginable global business potential, yet with this has come serious challenges.
Being good at what you do is no longer the only factor in steering your success. An ability to define your unique qualities is now the best way to cut across the chatter and get a client's attention. In other words, you need to define your brand.
Branding is something Rosie Parsons does extremely well. Not only is her entire business model based around capturing the brand identity of successful businesspeople, but her own photographic services are tightly focused on conveying her own personality.
"If I'm going to be shooting someone else's branding, it's important that my own is clear," she says. Stepping into her cosy home studio, her branding is impossible to miss. It's almost like walking into one of the pages on her website.
Rosie's business has a unique aspect. Many photographers shoot headshots of people for commercial and self-promotional use, but Rosie offers more than the standard experience. Instead of travelling to her subject's office and capturing a slightly forced mugshot in drab surroundings, many of Rosie's clients come to her. At the studio, the shoot feels more like a get-together with friends, or even a house party.
This story is from the Issue 253 edition of Digital Photographer.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the Issue 253 edition of Digital Photographer.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
Sigma 28-105mm f/2.8 Art
This is anot-so-standard zoom lens, as Matthew Richards discovers on a test drive
AstrHori 120mm f/2.8 Macro 2x
Matthew Richards finds out if double the magnification means couble the value
DxO PhotoLab 8 Elite
DXO's flagship editor gets an upgrade but, asks Rod Lawton, are the results worth it?
Panasonic Lumix GH7
Gareth Bevan thinks a new sensor and AF make this the hybrid camera to beat
STORM CHASE
Paige Vincent on the adrenaline rush, the risks and her passion for shooting in the face of storms
PROTECT YOUR IMAGES FROM AI
Pandora's box is open and, for better or worse, Alis here to stay. Here’s how you can protect your images from being used to train Al models without your permission
CREATE AI COMPOSITES
Serge Ramelli explains how to make AI work for you, by creating otherwise impossible portrait backgrounds
Paul Wilkinson's top 25... PORTRAIT TIPS & TRICKS
Even with so much information out there, taking perfect portraits can be hard work. Pro photographer Paul Wilkinson guides us through this huge genre with his pearls of wisdom
MASTER MINIMALISM
Less is more in the world of minimalism. Rebecca Greig explores what makes minimalist captures work
LITTLE WONDERS
Kim Bunermann meets Louise B to discuss the joys and challenges of working with newborns and freshly baked parents