Sameer Al-Doumy is a Syrian photographer born in 1998 in the city of Douma. He worked on covering the war that has been devastating his country for the last 7 years. He began his media work as an activist in the middle of 2011 as the Syrian peaceful uprising began. In the middle of 2012, the Syrian regime forces besieged Douma from all sides and attacked the city. In 2014, Al-Doumy became interested in photography and started browsing the internet for tutorials to learn more. He developed his skills by self-training, without any academic training.
In late 2014, he began working for Agence France-Press as a freelance photographer. Since then, he has won several renowned international photography awards for his work.
Believing in the importance of showing the truth to the whole world, amplifying the voice of the vulnerable people, documenting the injustice and the human rights violations, spreading news and sharing reality: those were the main reasons that pushed him to carry a camera and start taking photos. He believes in photography as a way to change and to achieve justice, and this is what motivates him to keep working in such a harsh situation, giving him the strength to continue his quest.
Lens Magazine: Thank you Sameer, For the opportunity to have an interview with you. We are honored to feature your work and to expose the difficulties of the everyday life in the heart of Syria. It’s a painful, heartbreaking situation.
Let me start from the beginning. You were born in Douma, a city that suffered a chemical attack in April, 2018. In that attack 70 people were killed and many suffered from the attacks that came afterwards. Can you please share with our readers, how were life before this attack? What was it like, for you, to grow up in pre-war Douma?
Diese Geschichte stammt aus der August 2020-Ausgabe von Lens Magazine.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent ? Anmelden
Diese Geschichte stammt aus der August 2020-Ausgabe von Lens Magazine.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
IN THE SHIPYARDS OF DHAKA
A very large shipyard in Dhaka is located on the Buriganga River's banks, directly across Dhaka's old city.
Aga Szydlik INDIA
A JOURNEY INTO THE LAND OF DIVERSITY, CULTURE, AND COLORS
SEBASTIAN PIÓREK EXPLORING Enjoyable LANDSCAPE
I retrieved the idea of nature closely linked to the field of human feelings.
The Extreme Macro Photography of Bees
AN INTERVIEW SAM WITH, DROEGE
JEAN KAROTKIN GYMNOPEDIES
Gymnopédies, Karotkin's ongoing series of botanical portraits, takes its name from a trio of piano compositions by 19th-century French composer Erik Satie.
BUTTERFLIES IN LOVE WITH FLOWERS
I sometimes think Chinese art is not fully appreciated in the West. I was exposed to it growing up in Australia, although my fascination was more with calligraphy.
Lissa Hahn:
Hahn: HOW TO EVOKE A PAVLOVIAN RESPONSE IN HUMANS
AN EXCLUSIVE INTERVIEW WITH ELENA PARASKEVA
Elena Paraskeva is an internationally acclaimed, award-winning Conceptual Photographer and Art Director and, most recently, an official ADOBE instructor.
From a Living Hell to Heaven on Earth: the Inhumanity and Humanity of Humans
In a remote area of western Wisconsin, dogs and cats who otherwise would have ended up on death row are given a reprieve. They can now live out their lives in peace and comfort and with companionship at Home for Life (HFL), which was not afforded them outside the sanctuary's gates.
The Art of DISAPPEARING
In the classical proposal, indigenous people are usually the topic of discussion, but rarely do they have a hand in shaping it.
