Time – 30 minutes
Skill level – Advanced
Kit needed – Photoshop CC
Composites are one of the things that Photoshop does better than any other image editor. With a few simple selection and layer skills you can combine a wide array of photos into one magical scene. We’ve used several free downloadable images from www.pixabay.com to create our fantastical composite.
If you want to follow the technique in full then download the eight start images (see box for reference numbers). Or instead, why not learn the techniques explained here then apply them to your own selection of images? Perhaps you could start by shooting your own ‘base’ pictures then overlaying objects taken from downloaded images.
When searching for photos to combine, keep in mind that some will fit together better than others. There are two important factors to look at. The first is lighting. If one image is lit with strong sunlight coming from the right side, while the other is shot on a cloudy day, then there’s a mismatch in the lighting that may be tricky to overcome.
The second factor is the backdrop behind the object, person or animal that you intend to cut out. If the backdrop is plain and uncluttered then the cut-out will be easier, but keep in mind the colour of the backdrop too.
This story is from the April 2022 edition of N-Photo: the Nikon magazine.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the April 2022 edition of N-Photo: the Nikon magazine.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
Tamron 28-75mm f/2.8 Di III RXD G2
The original version broke the mould for ‘trinity' standard zooms. The G2 enhances handling and performance further still
Nikon D500
Nikon's flagship DX-format DSLR is a modern classic. And while it hasn't been out of production for long, it left a hole in Nikon's camera line-up that's never been filled
Laurence Griffiths
With so much sporting action this summer, Laurence Griffiths of Getty Images reveals how to catch every goal at the Euros, details Getty Images' 24/7 Olympics coverage and why he always has a wide-angle ready. Keith Wilson managed to grab him before kick-off...
Ghost town
Adam Waring uses ND filters to subdue the hustle and bustle when shooting busy cities
Creative cities
Experienced travel photographer Matt Higgs provides top tips for stunning shots of city sights
If at first you don't succeed...
Tom travels to the other side of the world to have another go at shooting an elusive image and displays the power of his perseverance
Shoot the summer of sports
Have the Olympics and Euros inspired you to photograph sport? Mike Harris shows you how to score a portfolio of top shots
Osprey & prey
Birds of a feather Gary Jones and Leigh Pugh photograph ospreys from a purpose-built hide
Superzoom lenses
These lenses will have you in for a long stretch, some more than others in the wide-angle to telephoto stakes
Nikon Z 6III
With a revolutionary 'partially stacked' full-frame sensor, the Z 6III fits flagship camera features in an compact enthusiast-level body