Art Encounters Biennial My Rhino is Not a Myth: art science fictions
ArtReview|September 2023
Various venues, Timişoara 19 May-16 July
Oliver Basciano
Art Encounters Biennial My Rhino is Not a Myth: art science fictions

In the disused transport depot of Timişoara, western Romania, three large inflatable textile sculptures by Anetta Mona Chișa, which mimic the shape of nuclear atoms, describe their own demise. From hidden speakers, a high-pitched childlike voice, purporting to be that of ununennium, a hypothetical element not yet fully catalogued on the periodic table, narrates some sort of Armageddon situation. Across the overgrown yard, inside one of the rusting old maroon-and-beige city trams, is another series of sculptures, these ones by Cristian Răduță, in which the passengers and drivers of the vehicle have been replaced by oversize mutant animals crudely assembled out of card, tape and haphazard found materials. A spindly-legged bird, a big yellow dog, a humanoid rabbit wearing boxing gloves-given the dereliction of the yard, the decay of the vehicle and their Frankenstein form, together they inhabit the vehicle like the last survivors of some terrible trauma.

This story is from the September 2023 edition of ArtReview.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.

This story is from the September 2023 edition of ArtReview.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.

MORE STORIES FROM ARTREVIEWView All
"One day this boy..."
ArtReview

"One day this boy..."

How David Wojnarowicz gave me life

time-read
6 mins  |
September 2023
Art Encounters Biennial My Rhino is Not a Myth: art science fictions
ArtReview

Art Encounters Biennial My Rhino is Not a Myth: art science fictions

Various venues, Timişoara 19 May-16 July

time-read
3 mins  |
September 2023
Southern Discomfort
ArtReview

Southern Discomfort

A series of upcoming biennials promise to explore the art of the 'Global South'. But what does that mean? And is the term of any practical use?

time-read
7 mins  |
September 2023
Casey Reas
ArtReview

Casey Reas

Crypto has crashed and burned, but NFT visual culture is the better for it, and here's why, says the pioneering artist and programmer

time-read
10 mins  |
September 2023
Isabelle Frances McGuire
ArtReview

Isabelle Frances McGuire

Through kitbashing and the hacking of readymades, an artist explores what digital visual culture might look like in material form

time-read
6 mins  |
September 2023
No pain, no gain?
ArtReview

No pain, no gain?

What's primary about Matthew Barney's SECONDARY

time-read
8 mins  |
September 2023
Fine Young Cannibals
ArtReview

Fine Young Cannibals

A spate of recent glitzy films have asked us to eat the rich. But what, asks Amber Husain, are we really swallowing?

time-read
3 mins  |
September 2023
Mutant Media
ArtReview

Mutant Media

Animation and gaming design studios aren’t just for entertainment, claims Jamie Sutcliffe, they’re a geneticist’s lab for producing our spliced bio- cybernetic future

time-read
4 mins  |
September 2023
Midcareerism
ArtReview

Midcareerism

What's an artist to do when no longer dewy and not yet long in the tooth? Martin Herbert surveys the options, none of them pretty

time-read
3 mins  |
September 2023
Diego Marcon
ArtReview

Diego Marcon

\"In general when I work, it's not like I'm looking for something and I find moles, it's more like moles find me, they pop up. I don't know why, I just try to remain open to these kinds of visit\"

time-read
10+ mins  |
September 2023