Soft Opening, London, UK
Each intimately scaled work in the series ‘being alone’ (2022) invites the viewer to step closer and peer into the rooms photographed, offering only small clues about the spaces and people they are observing.
Velvety matte black occupies large swathes of these pictures. Sometimes, light serves as an interior detail, illuminating drab rooms with fissured tiles, messy plaster repairs, ventilation pipes snaking across the ceiling and rows of seats bolted to the floor. Sameshima redirects the viewer’s attention from the on-screen pornography – the most urgently visible thing as far as his subjects are concerned – to silhouettes of the individuals that populate these tawdry spaces.
This story is from the Issue 243 - June - August 2024 edition of Frieze.
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This story is from the Issue 243 - June - August 2024 edition of Frieze.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
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