
My GG’s Camp (2022) – the first work of her solo show, ‘When I Draw’, at The Perimeter – portrays a family travelling over the ice on a dog sled, an imagined scene drawn from the nomadic past of the Inuit people of Kinngait, where Ashoona lives and works. Consisting of just over a thousand residents, Kinngait sits in the northernmost territory of Nunavut. It is home to Canada’s longest-running print studio, operated by the Inuit-owned West Baffin Cooperative since its formation in 1959. The remote settlement, previously known as Cape Dorset, is considered the most artistic community in Canada and the setting for Ashoona’s uncanny compositions.
This story is from the Issue 243 - May 2024 edition of Frieze.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the Issue 243 - May 2024 edition of Frieze.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In

Waste Wizard
How a new kind of brick helped pave the way for sustainable architecture by Carson Chan

Mend and Repair
Object Lessons: At the Wexner Center for the Arts, Maria Hupfield crafts objects which link time, place and memory by Caitlin Chaisson

Father Tongue
Last year, I returned to Algiers for the first time in almost two decades. Instigated , as a curatorial research trip, the visit ultimately evolved into a deeply personal journey.

Britta Marakatt-Labba
While the act of piercing fabric with a needle may seem slight, it has the capacity to create great strength.

'I have always felt that art can change the world, and I make art to prove it.'
Interview: Gregg Bordowitz discusses his exhibition at The Brick, Los Angeles, the challenges of survivor's guilt and how art can build communities around shared experiences Interview by Jeremy Lybarger

Postcard from Chicago
Finding reprieve in the Windy City from the immediacy of the art world by Marko Gluhaich

Towards a New Museology
Gala Porras-Kim wants us to rethink how art institutes honour their holdings by Simon Wu

Then Came a Stranger
Oral History: From its roots in the New York art and theory scene of the 1970s to its transformative impact on global intellectual discourse, Semiotext(e) continues to defy boundaries, bridging avant-garde literature, radical philosophy and underground culture

The International Banal
Object Lessons: Haegue Yang writes poetry with household goods by Brian Dillon

Delcy Morelos
Cinnamon, cloves, cocoa, tobacco: you'll smell Deley Morelos's works before you see them.