
One of the most important aspects for me to explore in my paintings is the interplay between the light and the dark. It is by focusing on that contrast that I find the atmosphere and dramatic feel that I strive for in my work. Whether I am going for subtlety, drama, or in any case atmosphere, the light plays such an important part.
My intention is to capture elements of the coastal landscape, rather than recreating any particular scene, to represent and not replicate. Those glimpses of light from beneath a cloud, the reflections in the pools on the beach created by the sky above, the shadows cast over the sea and on the land by the dark clouds, the horizons, the depth of color or palest gleam of the sea itself, the tidal effects, wide open spaces, meandering rivulets, all fascinate me. I am excited by these elements, and I enjoy allowing the process to unfold as I go along and show me where the painting needs to go.
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Step by Step: Capturing Expression
I painted Olivier as part of a demonstration for my Wednesday online class. The month's theme was \"Alla Prima Portrait Expressions,\" focusing on capturing dynamic emotion in a static image.

Intuitive response
My work is known for its raw, dynamic energy and freshness.

The Portrait Society of America Chairman's Letter Educate, Inspire, Connect
Ralph Waldo Emerson said, \"How much of human life is lost in waiting.\"

No Place Like Home
Focusing on color mixing and composition, Kayla Martell paints blissful interior scenes

Moved by Instinct
Inspired by the beauty of nature, Jean Haines' watercolors bloom with spontaneity

BACK-UP PLAN
An overview of the data storage options for all of the digital files that make up your art business

Apex Predators
Growing up in Kenya surrounded by nature, Guy Combes talks about the passions of painting wildlife

Skyscapes
Ksenya Verse highlights the intricate textures, variability and sculptural nature of clouds

Something beguiling
In watercolor, I work exclusively with transparent pigments, carefully building textural effects through multiple glazes (sometimes up to five or six layers) to achieve dimension and detail in my realistic watercolors.

HUNCHES ARE BUILT UPON WISDOM
Harley Brown's fascinating things no one else will tell you