When I read Paige Clark’s She Is Haunted, I was by turns delighted and moved: delighted because Clark takes obvious care and joy in crafting her sentences, and moved because her stories approach life’s mysteries with such emotional honesty. Many different Elizabeths appear throughout the stories in the collection. In “Times I’ve Wanted to Be You,” a widow named Beth wears her husband’s clothes, wishing to turn into him. In the freewheeling sci-fi “Amygdala,” an Eliza has her left frontal cortex removed to better survive climate change. These Elizabeths confront various versions of intimacy and loss, each making a devastating discovery about “[t]he whole charade that a woman could ever belong to herself.” While the characters often surprise, they are never quirky for quirky’s sake.
She Is Haunted was first published by Allen & Unwin, an independent press in Australia, where it was shortlisted for the 2021 Readings Prize for New Australian Fiction and longlisted for the 2022 Stella Prize. Clark lives in Melbourne, where she is working toward her PhD, studying the relationship between race, craft, and the teaching of creative writing. While reading Clark’s stories, published in a U.S. edition by Two Dollar Radio in May, I had the impression of stepping out from behind a screen of trees and approaching a cliff from which, if I looked carefully, I could discern the outline of my own home. In other words, reading her suffused me with the wonder of approaching my life from an unexpected angle, leaving me awestruck but also disturbed. It is a perspective art uniquely provides. We all need it, from time to time.
Denne historien er fra July - August 2022-utgaven av Poets & Writers Magazine.
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Denne historien er fra July - August 2022-utgaven av Poets & Writers Magazine.
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Literary MagNet
When Greg Marshall began writing the essays that would become his memoir, Leg: The Story of a Limb and the Boy Who Grew From It (Abrams Press, June 2023), he wanted to explore growing up in Utah and what he calls \"the oddball occurrences in my oddball family.\" He says, \"I wanted to call the book Long-Term Side Effects of Accutane and pitch it as Six Feet Under meets The Wonder Years.\" But in 2014 he discovered his diagnosis of cerebral palsy, information his family had withheld from him for nearly thirty years, telling him he had \"tight tendons\" in his leg. This revelation shifted the focus of the project, which became an \"investigation into selfhood, uncovering the untold story of my body,\" says Marshall. Irreverent and playful, Leg reckons with disability, illness, queerness, and the process of understanding our families and ourselves.
THE MEUSEUM OF HUMAN HISTORY
READING The Museum of Human History felt like listening to a great harmonic hum. After I finished it I found the hum lingering in my ears. Its echo continued for days.
The Sea Elephants
SHASTRI Akella's poised, elegant debut, The Sea Elephants, is a bildungsroman of a young man who joins a street theater group in India after fleeing his father's violent disapproval, the death of his twin sisters, and his mother's unfathomable grief.
The History of a Difficult Child
MIHRET Sibhat's debut novel begins with God dumping rain on a small Ethiopian town as though. He were mad at somebody.
The Sorrows of Others
AS I read each story in Ada Zhang’s brilliant collection, The Sorrows of Others, within the first few paragraphs— sometimes the first few sentences— I felt I understood the characters intimately and profoundly, such that every choice they made, no matter how radical, ill-advised, or baffling to those around them, seemed inevitable and true to me.
We Are a Haunting
TYRIEK White’s debut novel, We Are a Haunting, strikes me as both a love letter to New York City and a kind of elegy.
RADICAL ATTENTION
IN HER LATEST BOOK, THE LIGHT ROOM: ON ART AND CARE, PUBLISHED BY RIVERHEAD BOOKS IN JULY, KATE ZAMBRENO CELEBRATES THE ETHICAL WORK OF CAREGIVING, THE SMALL JOYS OF ORDINARY LIFE, AND AN ENGAGEMENT WITH THE NATURAL WORLD WITHIN HUMAN SPACES.
The Fine Print
HOW TO READ YOUR BOOK CONTRACT
First
GINA CHUNG'S SEA CHANGE
Blooming how she must
WITH ROOTS IN NATURE WRITING, ENVIRONMENTAL JUSTICE, POETRY, AND PHOTOGRAPHY, CAMILLE T. DUNGY'S NEW BOOK, SOIL: THE STORY OF A BLACK MOTHER'S GARDEN, DELVES INTO THE PERSONAL AND POLITICAL ACT OF CULTIVATING AND DIVERSIFYING A GARDEN OF HERBS, VEGETABLES, FLOWERS, AND OTHER PLANTS IN THE PREDOMINANTLY WHITE COMMUNITY OF FORT COLLINS, COLORADO.
