Artful Science, Mayan Gods, Senga Nengudi
The New Yorker|November 14, 2022
The Chicago-based phenom Nick Cave is best known for his “Soundsuits,” elaborate wearable assemblages that dazzle whether they’re presented as sculptures or seen in motion during performances.
Andrea K. Scott
Artful Science, Mayan Gods, Senga Nengudi

As jubilant as these intricate costume-objects are, they also suggest protective gear for vulnerable bodies. For Cave, fashion design and art are united by activism: he made the first “Soundsuit” in 1991, in response to the beating of Rodney King by the L.A.P.D. The Guggenheim shows a selection of the artist’s polyphonic sculptures, videos, and installations in the retrospective “Nick Cave: Forothermore.” (Opens Nov. 18.)

According to Mayan mythology, the world was created in 3114 B.C. and overseen by a vast pantheon of deities, from jaguar protectors of the night to the eternally young god of maize, worshipped in lands known today as Guatemala, Honduras, and Mexico. The Met’s blockbuster “Lives of the Gods: Divinity in Maya Art” features a hundred treasures—in limestone, ceramic, jadeite, obsidian—dating from 250 to 900 A.D. (Opens Nov. 21.)

This story is from the November 14, 2022 edition of The New Yorker.

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This story is from the November 14, 2022 edition of The New Yorker.

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