When Donny Dunn (Richard Gadd), the protagonist of the autobiographical Netflix sensation “Baby Reindeer,” recalls the act of kindness toward a stranger that would come to derail his life, his initial explanation is deceptively simple: “I felt sorry for her.”
Donny is a fledgling comedian in his late twenties, tending bar at a London pub to make ends meet. Martha ( Jessica Gunning) is a heavyset, middle-aged frump who claims to be a high-powered lawyer but simultaneously insists that a cup of tea is beyond her means. Donny— maybe amused, maybe intrigued, definitely pitying—gives her one on the house. She becomes a regular and, after finding his e-mail address on his personal Web site, inundates him with dozens of missives a day, many of them brimming with lust and misspellings. She follows him home and to his gigs. Her convictions about their relationship—first and foremost the belief that they’re in one—are pure delusion. But Martha also senses a truth about Donny that no one else does. Early on, she asks, “Somebody hurt you, didn’t they?”
Diese Geschichte stammt aus der May 20, 2024-Ausgabe von The New Yorker.
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Diese Geschichte stammt aus der May 20, 2024-Ausgabe von The New Yorker.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
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GET IT TOGETHER
In the beginning was the mob, and the mob was bad. In Gibbon’s 1776 “Decline and Fall of the Roman Empire,” the Roman mob makes regular appearances, usually at the instigation of a demagogue, loudly demanding to be placated with free food and entertainment (“bread and circuses”), and, though they don’t get to rule, they sometimes get to choose who will.
GAINING CONTROL
The frenemies who fought to bring contraception to this country.
REBELS WITH A CAUSE
In the new FX/Hulu series “Say Nothing,” life as an armed revolutionary during the Troubles has—at least at first—an air of glamour.
AGAINST THE CURRENT
\"Give Me Carmelita Tropicana!,\" at Soho Rep, and \"Gatz,\" at the Public.
METAMORPHOSIS
The director Marielle Heller explores the feral side of child rearing.
THE BIG SPIN
A district attorney's office investigates how its prosecutors picked death-penalty juries.
THIS ELECTION JUST PROVES WHAT I ALREADY BELIEVED
I hate to say I told you so, but here we are. Kamala Harris’s loss will go down in history as a catastrophe that could have easily been avoided if more people had thought whatever I happen to think.
HOLD YOUR TONGUE
Can the world's most populous country protect its languages?
A LONG WAY HOME
Ordinarily, I hate staying at someone's house, but when Hugh and I visited his friend Mary in Maine we had no other choice.
YULE RULES
“Christmas Eve in Miller’s Point.”