When Eleanor Coppola went into labor with her third child, on May 14, 1971, at a hospital in Manhattan, her husband, the director Francis Ford Coppola, was on location in Harlem, shooting a scene for “The Godfather.” Hearing the news, he grabbed a camcorder from the set and raced over to capture the moment. “When they say, ‘It’s a girl,’ my dad gasps and nearly drops the camera,” Sofia Coppola told me recently, of her birth video. “My mom is there, just trying to focus.” The footage—which has been screened by the family multiple times over the years, and as part of a feminist art installation designed by Eleanor—was the first of many instances in which Sofia would be seen through her father’s lens. When she was just a few months old, Francis cast her in her first official film role, as the infant in the dénouement of “The Godfather,” in which Michael Corleone, the ascendant boss of the Corleone crime family, anoints the head of his newborn nephew as his associates murder rival gangsters one by one.
Esta historia es de la edición January 29, 2024 de The New Yorker.
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Esta historia es de la edición January 29, 2024 de The New Yorker.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 9,000 revistas y periódicos.
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Hatagaya Lore Bryan Washington
We moved to Tokyo from Dallas because of my husband's job, an unexplainable tech gig.
A MATTER OF FACTS
On the loss of two sons.
OPEN SECRET
Why did police let one of America's most prolific predators get away for so long?
BEYOND THE CURVE
In medicine and public health, we cling to universal benchmarks—at a cost.
Richard Brody on Pauline Kael's "Notes on Heart and Mind"
When Pauline Kael joined The New Yorker’s staff as a movie critic, in January, 1968, the world of cinema was undergoing drastic change.
CHORAL HISTORY
“The Alto Knights.”
THE ELEMENTS OF STYLE, 2025
Reliable news coverage has never been more important than it is now. Journalists must remain vigilant and rigorous in the face of a second Trump Administration. To help them do so, we are releasing an updated version of Strunk and White’s “Elements of Style.” Please refer to the following examples when writing and reporting, for as long as that’s still allowed.
CHARACTER STUDIES
“Purpose” on Broadway and “Vanya” downtown.
DO YOU KNOW JESUS?
Why the Gospel stories won’t stay dead and buried.
HOME SLICE
The making of an Indian American specialty.
