“Whales died so I could look like this,” seventeen-year-old Charlotte (India Amarteifio) says matter-of factly to her brother, Adolphus (Tunji Kasim), on their way to London, where she is to marry the king of England. The whalebone corset she’s obliged to wear—“rather delicate and also very, very sharp”—has rendered her immobile for the siblings’ six-hour stagecoach journey, while her dress, made of two-hundred-year-old lace and encrusted with sapphires, imposes its own restrictions. “I am forced into a ludicrous gown so stylish that, if I move too much,” Charlotte continues, “I might be sliced and stabbed to death by my undergarments.” She deadpans, “Oh, how joyful it is to be a lady.”
Denne historien er fra May 22, 2023-utgaven av The New Yorker.
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Denne historien er fra May 22, 2023-utgaven av The New Yorker.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Techniques and cIdiosyncrasies
FEAR FACTOR
How the Red Scare reshaped American politics.
PLAYTIME
The old film studios had house styles: M-G-M’s was plush and sentimental, Warner Bros.’ stark and intense.
TIME AND PLACE
“Tatlin: Kyiv” explores a Russian Constructivist’s Ukrainian identity.
MOURNING BECOMES HER
Akram Khan’s “Gigenis: The Generation of the Earth.”
TEXAS ROUNDUP
How Greg Abbott made his state the staging ground for Donald Trump's mass-deportation campaign.
HOUSE CALL
To rent or to buy is the eternal question.
INDESCRIBABLE
The human disaster of the Irish famine.
Louisa Thomas on John Updike's "Hub Fans Bid Kid Adieu"
The original idea was an assignation. On a dreary Wednesday in September, 1960, John Updike, \"falling in love, away from marriage,\" took a taxi to see his paramour.
LIP SERVICE
Zyn and the new nicotine gold rush.
