A person can live in many places but can settle in only one. You may not understand the difference until you've found the city or the town or the patch of countryside that sounds a distinct internal chord. For much of my life, I was on the move. I grew up in Texas, in Abilene and Dallas, but as soon as the gate opened I fled the sterile culture, the retrograde politics, the absence of natural beauty. I met my wife, Roberta, in New Orleans. She was also on the run, from the racism and suffocating conformity of Mobile, Alabama. In our married life, we have lived in Cambridge, Massachusetts; Cairo, Egypt; Quitman, Texas; Durham, North Carolina; Nashville; and Atlanta all desirable places with much to recommend. We travelled the world. I have spent stretches of my professional life in the places you would expect New York, Los Angeles, and Washington, D.C., all cities that I revere, but not places we chose to settle.
Unconsciously, during those vagabond years, we were on the lookout for home. I nursed a conception of an ideal community, one that combined qualities I loved about other places: the physical beauty, say, of Atlanta; the joyful music-making of New Orleans; an intellectual scene fed by an important university, as in Cambridge or Durham; a place with a healthy energy and ready access to nature, such as Denver or Seattle; a spot where we could comfortably find friends and safely raise children. I'm not saying that we couldn't have been happy in any of the places I've mentioned, but something kept us from profoundly identifying with them.
Diese Geschichte stammt aus der February 13 - 20, 2023 (Double Issue)-Ausgabe von The New Yorker.
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Diese Geschichte stammt aus der February 13 - 20, 2023 (Double Issue)-Ausgabe von The New Yorker.
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GET IT TOGETHER
In the beginning was the mob, and the mob was bad. In Gibbon’s 1776 “Decline and Fall of the Roman Empire,” the Roman mob makes regular appearances, usually at the instigation of a demagogue, loudly demanding to be placated with free food and entertainment (“bread and circuses”), and, though they don’t get to rule, they sometimes get to choose who will.
GAINING CONTROL
The frenemies who fought to bring contraception to this country.
REBELS WITH A CAUSE
In the new FX/Hulu series “Say Nothing,” life as an armed revolutionary during the Troubles has—at least at first—an air of glamour.
AGAINST THE CURRENT
\"Give Me Carmelita Tropicana!,\" at Soho Rep, and \"Gatz,\" at the Public.
METAMORPHOSIS
The director Marielle Heller explores the feral side of child rearing.
THE BIG SPIN
A district attorney's office investigates how its prosecutors picked death-penalty juries.
THIS ELECTION JUST PROVES WHAT I ALREADY BELIEVED
I hate to say I told you so, but here we are. Kamala Harris’s loss will go down in history as a catastrophe that could have easily been avoided if more people had thought whatever I happen to think.
HOLD YOUR TONGUE
Can the world's most populous country protect its languages?
A LONG WAY HOME
Ordinarily, I hate staying at someone's house, but when Hugh and I visited his friend Mary in Maine we had no other choice.
YULE RULES
“Christmas Eve in Miller’s Point.”